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So
I
got
him
to
let
me
write
another
letter
.
He
looked
in
the
envelope
again
.
Then
I
talked
him
into
going
to
London
,
as
my
plan
requires
.
I
gave
him
a
ridiculous
list
of
things
(
most
of
them
I
don
’
t
want
,
but
it
’
ll
keep
him
busy
)
to
buy
.
I
told
him
it
was
impossible
to
trace
a
letter
posted
in
London
.
So
he
finally
agreed
.
He
likes
me
to
wheedle
,
the
brute
.
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One
request
—
no
,
I
don
’
t
ask
him
for
things
,
I
order
them
.
I
commanded
him
to
try
and
buy
a
George
Paston
.
I
gave
him
a
list
of
galleries
where
he
might
find
things
by
G
.
P
.
I
even
tried
to
get
him
to
go
to
the
studio
.
But
as
soon
as
he
heard
it
was
in
Hampstead
,
he
smelt
a
rat
.
He
wanted
to
know
if
I
knew
this
George
Paston
.
I
said
,
no
,
well
,
just
by
name
.
But
it
didn
’
t
sound
very
convincing
;
and
I
was
afraid
he
wouldn
’
t
buy
any
of
his
pictures
anywhere
.
So
I
said
,
he
’
s
a
casual
friend
of
mine
,
he
’
s
quite
old
,
but
he
’
s
a
very
good
painter
,
and
he
badly
needs
money
and
I
should
very
much
like
some
of
his
pictures
.
We
could
hang
them
on
the
walls
.
If
you
bought
straight
from
him
we
wouldn
’
t
be
paying
money
to
the
galleries
,
but
I
can
see
you
’
re
frightened
to
go
,
I
said
,
so
there
’
s
an
end
to
it
.
Of
course
he
didn
’
t
fall
for
that
.
He
wanted
to
know
if
G
.
P
.
was
one
of
these
paintpot
-
at
-
the
-
wall
chaps
.
I
just
gave
him
a
look
.
C
.
I
was
only
joking
.
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M
.
Then
don
’
t
.
After
a
bit
,
he
said
,
he
would
want
to
know
where
I
came
from
and
all
.
I
told
him
what
he
could
say
,
and
he
said
he
’
d
think
about
it
.
Which
is
Calibanese
for
"
no
.
"
It
was
too
much
to
expect
;
and
there
probably
won
’
t
be
anything
in
any
of
the
galleries
.