-
Главная
-
- Книги
-
- Авторы
-
- Лев Толстой
-
- Анна Каренина
-
- Стр. 477/828
Для того чтобы воспользоваться озвучкой предложений, необходимо
Войти или зарегистрироваться
Озвучка предложений доступна при наличии PRO-доступа
Купить PRO-доступ
The
desire
for
life
,
waxing
stronger
with
recovered
health
,
was
so
intense
,
and
the
conditions
of
life
were
so
new
and
pleasant
,
that
Anna
felt
unpardonably
happy
.
The
more
she
got
to
know
Vronsky
,
the
more
she
loved
him
.
She
loved
him
for
himself
,
and
for
his
love
for
her
.
Her
complete
ownership
of
him
was
a
continual
joy
to
her
.
His
presence
was
always
sweet
to
her
.
All
the
traits
of
his
character
,
which
she
learned
to
know
better
and
better
,
were
unutterably
dear
to
her
.
His
appearance
,
changed
by
his
civilian
dress
,
was
as
fascinating
to
her
as
though
she
were
some
young
girl
in
love
.
In
everything
he
said
,
thought
,
and
did
,
she
saw
something
particularly
noble
and
elevated
.
Her
adoration
of
him
alarmed
her
indeed
;
she
sought
and
could
not
find
in
him
anything
not
fine
.
She
dared
not
show
him
her
sense
of
her
own
insignificance
beside
him
.
It
seemed
to
her
that
,
knowing
this
,
he
might
sooner
cease
to
love
her
;
and
she
dreaded
nothing
now
so
much
as
losing
his
love
,
though
she
had
no
grounds
for
fearing
it
.
But
she
could
not
help
being
grateful
to
him
for
his
attitude
to
her
,
and
showing
that
she
appreciated
it
.
He
,
who
had
in
her
opinion
such
a
marked
aptitude
for
a
political
career
,
in
which
he
would
have
been
certain
to
play
a
leading
part
—
he
had
sacrificed
his
ambition
for
her
sake
,
and
never
betrayed
the
slightest
regret
.
He
was
more
lovingly
respectful
to
her
than
ever
,
and
the
constant
care
that
she
should
not
feel
the
awkwardness
of
her
position
never
deserted
him
for
a
single
instant
.
He
,
so
manly
a
man
,
never
opposed
her
,
had
indeed
,
with
her
,
no
will
of
his
own
,
and
was
anxious
,
it
seemed
,
for
nothing
but
to
anticipate
her
wishes
.
And
she
could
not
but
appreciate
this
,
even
though
the
very
intensity
of
his
solicitude
for
her
,
the
atmosphere
of
care
with
which
he
surrounded
her
,
sometimes
weighed
upon
her
.
Vronsky
,
meanwhile
,
in
spite
of
the
complete
realization
of
what
he
had
so
long
desired
,
was
not
perfectly
happy
.
He
soon
felt
that
the
realization
of
his
desires
gave
him
no
more
than
a
grain
of
sand
out
of
the
mountain
of
happiness
he
had
expected
.
It
showed
him
the
mistake
men
make
in
picturing
to
themselves
happiness
as
the
realization
of
their
desires
.
For
a
time
after
joining
his
life
to
hers
,
and
putting
on
civilian
dress
,
he
had
felt
all
the
delight
of
freedom
in
general
of
which
he
had
known
nothing
before
,
and
of
freedom
in
his
love
,
—
and
he
was
content
,
but
not
for
long
.
He
was
soon
aware
that
there
was
springing
up
in
his
heart
a
desire
for
desires
—
ennui
.
Without
conscious
intention
he
began
to
clutch
at
every
passing
caprice
,
taking
it
for
a
desire
and
an
object
.
Sixteen
hours
of
the
day
must
be
occupied
in
some
way
,
since
they
were
living
abroad
in
complete
freedom
,
outside
the
conditions
of
social
life
which
filled
up
time
in
Petersburg
.
As
for
the
amusements
of
bachelor
existence
,
which
had
provided
Vronsky
with
entertainment
on
previous
tours
abroad
,
they
could
not
be
thought
of
,
since
the
sole
attempt
of
the
sort
had
led
to
a
sudden
attack
of
depression
in
Anna
,
quite
out
of
proportion
with
the
cause
—
a
late
supper
with
bachelor
friends
.
Relations
with
the
society
of
the
place
—
foreign
and
Russian
—
were
equally
out
of
the
question
owing
to
the
irregularity
of
their
position
.
The
inspection
of
objects
of
interest
,
apart
from
the
fact
that
everything
had
been
seen
already
,
had
not
for
Vronsky
,
a
Russian
and
a
sensible
man
,
the
immense
significance
Englishmen
are
able
to
attach
to
that
pursuit
.
And
just
as
the
hungry
stomach
eagerly
accepts
every
object
it
can
get
,
hoping
to
find
nourishment
in
it
,
Vronsky
quite
unconsciously
clutched
first
at
politics
,
then
at
new
books
,
and
then
at
pictures
.
As
he
had
from
a
child
a
taste
for
painting
,
and
as
,
not
knowing
what
to
spend
his
money
on
,
he
had
begun
collecting
engravings
,
he
came
to
a
stop
at
painting
,
began
to
take
interest
in
it
,
and
concentrated
upon
it
the
unoccupied
mass
of
desires
which
demanded
satisfaction
He
had
a
ready
appreciation
of
art
,
and
probably
,
with
a
taste
for
imitating
art
,
he
supposed
himself
to
have
the
real
thing
essential
for
an
artist
,
and
after
hesitating
for
some
time
which
style
of
painting
to
select
—
religious
,
historical
,
realistic
,
or
genre
painting
—
he
set
to
work
to
paint
.
He
appreciated
all
kinds
,
and
could
have
felt
inspired
by
anyone
of
them
;
but
he
had
no
conception
of
the
possibility
of
knowing
nothing
at
all
of
any
school
of
painting
,
and
of
being
inspired
directly
by
what
is
within
the
soul
,
without
caring
whether
what
is
painted
will
belong
to
any
recognized
school
.
Since
he
knew
nothing
of
this
,
and
drew
his
inspiration
,
not
directly
from
life
,
but
indirectly
from
life
embodied
in
art
,
his
inspiration
came
very
quickly
and
easily
,
and
as
quickly
and
easily
came
his
success
in
painting
something
very
similar
to
the
sort
of
painting
he
was
trying
to
imitate
.
More
than
any
other
style
he
liked
the
French
—
graceful
and
effective
—
and
in
that
style
he
began
to
paint
Anna
’
s
portrait
in
Italian
costume
,
and
the
portrait
seemed
to
him
,
and
to
everyone
who
saw
it
,
extremely
successful
.
The
old
neglected
palazzo
,
with
its
lofty
carved
ceilings
and
frescoes
on
the
walls
,
with
its
floors
of
mosaic
,
with
its
heavy
yellow
stuff
curtains
on
the
windows
,
with
its
vases
on
pedestals
,
and
its
open
fireplaces
,
its
carved
doors
and
gloomy
reception
rooms
,
hung
with
pictures
—
this
palazzo
did
much
,
by
its
very
appearance
after
they
had
moved
into
it
,
to
confirm
in
Vronsky
the
agreeable
illusion
that
he
was
not
so
much
a
Russian
country
gentleman
,
a
retired
army
officer
,
as
an
enlightened
amateur
and
patron
of
the
arts
,
himself
a
modest
artist
who
had
renounced
the
world
,
his
connections
,
and
his
ambition
for
the
sake
of
the
woman
he
loved
.
The
pose
chosen
by
Vronsky
with
their
removal
into
the
palazzo
was
completely
successful
,
and
having
,
through
Golenishtchev
,
made
acquaintance
with
a
few
interesting
people
,
for
a
time
he
was
satisfied
.
He
painted
studies
from
nature
under
the
guidance
of
an
Italian
professor
of
painting
,
and
studied
mediæval
Italian
life
.
Mediæval
Italian
life
so
fascinated
Vronsky
that
he
even
wore
a
hat
and
flung
a
cloak
over
his
shoulder
in
the
mediæval
style
,
which
,
indeed
,
was
extremely
becoming
to
him
.
