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Fache
glanced
over
.
«
I
gather
,
Mr
.
Langdon
,
you
have
never
seen
the
Louvre
after
hours
?
»
I
guess
not
,
Langdon
thought
,
trying
to
get
his
bearings
.
Usually
impeccably
illuminated
,
the
Louvre
galleries
were
startlingly
dark
tonight
.
Instead
of
the
customary
flat
-
white
light
flowing
down
from
above
,
a
muted
red
glow
seemed
to
emanate
upward
from
the
baseboards
–
intermittent
patches
of
red
light
spilling
out
onto
the
tile
floors
.
As
Langdon
gazed
down
the
murky
corridor
,
he
realized
he
should
have
anticipated
this
scene
.
Virtually
all
major
galleries
employed
red
service
lighting
at
night
–
strategically
placed
,
low
-
level
,
noninvasive
lights
that
enabled
staff
members
to
navigate
hallways
and
yet
kept
the
paintings
inrelative
darkness
to
slow
the
fading
effects
of
overexposure
to
light
.
Tonight
,
the
museum
possessed
an
almost
oppressive
quality
.
Long
shadows
encroached
everywhere
,
and
the
usually
soaring
vaulted
ceilings
appeared
as
a
low
,
black
void
.
«
This
way
,
»
Fache
said
,
turning
sharply
right
and
setting
out
through
a
series
of
interconnected
galleries
.
Langdon
followed
,
his
vision
slowly
adjusting
to
the
dark
.
All
around
,
large
-
format
oils
began
to
materialize
like
photos
developing
before
him
in
an
enormous
darkroom
…
their
eyes
following
as
he
moved
through
the
rooms
.
He
could
taste
the
familiar
tang
of
museum
air
–
an
arid
,
deionized
essence
that
carried
a
faint
hint
of
carbon
–
the
product
of
industrial
,
coal
-
filter
dehumidifiers
that
ran
around
the
clock
to
counteract
the
corrosive
carbon
dioxide
exhaled
by
visitors
.
Mounted
high
on
the
walls
,
the
visible
security
cameras
sent
a
clear
message
to
visitors
:
We
see
you
.
Do
not
touch
anything
.
«
Any
of
them
real
?
»
Langdon
asked
,
motioning
to
the
cameras
.
Fache
shook
his
head
.
«
Of
course
not
.
»
Langdon
was
not
surprised
.
Video
surveillance
in
museums
this
size
was
cost
-
prohibitive
and
ineffective
.
With
acres
of
galleries
to
watch
over
,
the
Louvre
would
require
several
hundred
technicians
simply
to
monitor
the
feeds
.
Most
large
museums
now
used
»
containment
security
.
»
Forget
keeping
thieves
out
.
Keep
them
in
.
Containment
was
activated
after
hours
,
and
if
an
intruder
removed
a
piece
of
artwork
,
compartmentalized
exits
would
seal
around
that
gallery
,
and
the
thief
would
find
himself
behind
bars
even
before
the
police
arrived
.
