-
Главная
-
- Книги
-
- Авторы
-
- Дэн Браун
-
- Код да Винчи
-
- Стр. 23/436
Для того чтобы воспользоваться озвучкой предложений, необходимо
Войти или зарегистрироваться
Озвучка предложений доступна при наличии PRO-доступа
Купить PRO-доступ
Langdon
hesitated
,
uncertain
exactly
how
to
put
it
.
«
Essentially
,
the
manuscript
is
about
the
iconography
of
goddess
worship
–
the
concept
of
female
sanctity
and
the
art
and
symbols
associated
with
it
.
»
Fache
ran
a
meaty
hand
across
his
hair
.
«
And
Saunière
was
knowledgeable
about
this
?
»
«
Nobody
more
so
.
»
«
I
see
.
»
Langdon
sensed
Fache
did
not
see
at
all
.
Jacques
Saunière
was
considered
the
premiere
goddess
iconographer
on
earth
.
Not
only
did
Saunière
have
a
personal
passion
for
relics
relating
to
fertility
,
goddess
cults
,
Wicca
,
and
the
sacred
feminine
,
but
during
his
twenty
-
year
tenure
as
curator
,
Saunière
had
helped
the
Louvre
amass
the
largest
collection
of
goddess
art
on
earth
–
labrys
axes
from
the
priestesses
’
oldest
Greek
shrine
in
Delphi
,
gold
caducei
wands
,
hundreds
of
Tjetankhs
resembling
small
standing
angels
,
sistrum
rattles
used
in
ancient
Egypt
to
dispel
evil
spirits
,
and
an
astonishing
array
of
statues
depicting
Horus
being
nursed
by
the
goddess
Isis
.
«
Perhaps
Jacques
Saunière
knew
of
your
manuscript
?
»
Fache
offered
.
«
And
he
called
the
meeting
to
offer
his
help
on
your
book
.
»
Langdon
shook
his
head
.
«
Actually
,
nobody
yet
knows
about
my
manuscript
.
It
’
s
still
in
draft
form
,
and
I
haven
’
t
shown
it
to
anyone
except
my
editor
.
»
Fache
fell
silent
.
Langdon
did
not
add
the
reason
he
hadn
’
t
yet
shown
the
manuscript
to
anyone
else
.
The
three
-
hundred
-
page
draft
–
tentatively
titled
Symbols
of
the
Lost
Sacred
Feminine
–
proposed
some
very
unconventional
interpretations
of
established
religious
iconography
which
would
certainly
be
controversial
.
Now
,
as
Langdon
approached
the
stationary
escalators
,
he
paused
,
realizing
Fache
was
no
longer
beside
him
.
Turning
,
Langdon
saw
Fache
standing
several
yards
back
at
a
service
elevator
.
«
We
’
ll
take
the
elevator
,
»
Fache
said
as
the
lift
doors
opened
.
«
As
I
’
m
sure
you
’
re
aware
,
the
gallery
is
quite
a
distance
on
foot
.
»
