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When
Langdon
had
first
seen
The
Little
Mermaid
,
he
had
actually
gasped
aloud
when
he
noticed
that
the
painting
in
Ariel
’
s
underwater
home
was
none
other
than
seventeenth
-
century
artist
Georges
de
la
Tour
’
s
The
Penitent
Magdalene
–
a
famous
homage
to
the
banished
Mary
Magdalene
–
fitting
decor
considering
the
movie
turned
out
to
be
a
ninety
-
minute
collage
of
blatant
symbolic
references
to
the
lost
sanctity
of
Isis
,
Eve
,
Pisces
the
fish
goddess
,
and
,
repeatedly
,
Mary
Magdalene
.
The
Little
Mermaid
’
s
name
,
Ariel
,
possessed
powerful
ties
to
the
sacred
feminine
and
,
in
the
Book
of
Isaiah
,
was
synonymous
with
»
the
Holy
City
besieged
.
»
Of
course
,
the
Little
Mermaid
’
s
flowing
red
hair
was
certainly
no
coincidence
either
.
The
clicking
of
Teabing
’
s
crutches
approached
in
the
hallway
,
his
pace
unusually
brisk
.
When
their
host
entered
the
study
,
his
expression
was
stern
«
You
’
d
better
explain
yourself
,
Robert
,
»
he
said
coldly
.
«
You
have
not
been
honest
with
me
.
»
«
I
’
m
being
framed
,
Leigh
,
»
Langdon
said
,
trying
to
stay
calm
.
You
know
me
.
I
wouldn
’
t
kill
anyone
.
Teabing
’
s
tone
did
not
soften
.
«
Robert
,
you
’
re
on
television
,
for
Christ
’
s
sake
.
Did
you
know
you
were
wanted
by
the
authorities
?
»
«
Yes
.
»
«
Then
you
abused
my
trust
.
I
’
m
astonished
you
would
put
me
at
risk
by
coming
here
and
asking
me
to
ramble
on
about
the
Grail
so
you
could
hide
out
in
my
home
.
»
«
I
didn
’
t
kill
anyone
.
»
«
Jacques
Saunière
is
dead
,
and
the
police
say
you
did
it
.
»
Teabing
looked
saddened
.
«
Such
a
contributor
to
the
arts
…
»
«
Sir
?
»
The
manservant
had
appeared
now
,
standing
behind
Teabing
in
the
study
doorway
,
his
arms
crossed
.
«
Shall
I
show
them
out
?
»
