-
Главная
-
- Книги
-
- Авторы
-
- Дэн Браун
-
- Код да Винчи
-
- Стр. 248/436
Для того чтобы воспользоваться озвучкой предложений, необходимо
Войти или зарегистрироваться
Озвучка предложений доступна при наличии PRO-доступа
Купить PRO-доступ
«
I
don
’
t
understand
.
»
«
The
Grail
story
is
everywhere
,
but
it
is
hidden
.
When
the
Church
outlawed
speaking
of
the
shunned
Mary
Magdalene
,
her
story
and
importance
had
to
be
passed
on
through
more
discreet
channels
…
channels
that
supported
metaphor
and
symbolism
.
»
«
Of
course
.
The
arts
.
»
Langdon
motioned
to
The
Last
Supper
.
«
A
perfect
example
.
Some
of
today
’
s
most
enduring
art
,
literature
,
and
music
secretly
tell
the
history
of
Mary
Magdalene
and
Jesus
.
»
Langdon
quickly
told
her
about
works
by
Da
Vinci
,
Botticelli
,
Poussin
,
Bernini
,
Mozart
,
and
Victor
Hugo
that
all
whispered
of
the
quest
to
restore
the
banished
sacred
feminine
.
Enduring
legends
like
Sir
Gawain
and
the
Green
Knight
,
King
Arthur
,
and
Sleeping
Beauty
were
Grail
allegories
.
Victor
Hugo
’
s
Hunchback
of
Notre
Dame
and
Mozart
’
s
Magic
Flute
were
filled
with
Masonic
symbolism
and
Grail
secrets
.
«
Once
you
open
your
eyes
to
the
Holy
Grail
,
»
Langdon
said
,
»
you
see
her
everywhere
.
Paintings
.
Music
.
Books
.
Even
in
cartoons
,
theme
parks
,
and
popular
movies
.
»
Langdon
held
up
his
Mickey
Mouse
watch
and
told
her
that
Walt
Disney
had
made
it
his
quiet
life
’
s
work
to
pass
on
the
Grail
story
to
future
generations
.
Throughout
his
entire
life
,
Disney
had
been
hailed
as
»
the
Modern
-
Day
Leonardo
Da
Vinci
.
»
Both
men
were
generations
ahead
of
their
times
,
uniquely
gifted
artists
,
members
of
secret
societies
,
and
,
most
notably
,
avid
pranksters
.
Like
Leonardo
,
Walt
Disney
loved
infusing
hidden
messages
and
symbolism
in
his
art
.
For
the
trained
symbologist
,
watching
an
early
Disney
movie
was
like
being
barraged
by
an
avalanche
of
allusion
and
metaphor
.
Most
of
Disney
’
s
hidden
messages
dealt
with
religion
,
pagan
myth
,
and
stories
of
the
subjugated
goddess
.
It
was
no
mistake
that
Disney
retold
tales
like
Cinderella
,
Sleeping
Beauty
,
and
Snow
White
–
all
of
which
dealt
with
the
incarceration
of
the
sacred
feminine
.
Nor
did
one
need
a
background
in
symbolism
to
understand
that
Snow
White
–
a
princess
who
fell
from
grace
after
partaking
of
a
poisoned
apple
–
was
a
clear
allusion
to
the
downfall
of
Eve
in
the
Garden
of
Eden
.
Or
that
Sleeping
Beauty
’
s
Princess
Aurora
–
code
-
named
»
Rose
»
and
hidden
deep
in
the
forest
to
protect
her
from
the
clutches
of
the
evil
witch
–
was
the
Grail
story
for
children
.
Despite
its
corporate
image
,
Disney
still
had
a
savvy
,
playful
element
among
its
employees
,
and
their
artists
still
amused
themselves
by
inserting
hidden
symbolism
in
Disney
products
.
Langdon
would
never
forget
one
of
his
students
bringing
in
a
DVD
of
The
Lion
King
and
pausing
the
film
to
reveal
a
freeze
-
frame
in
which
the
word
SEX
was
clearly
visible
,
spelled
out
by
floating
dust
particles
over
Simba
’
s
head
.
Although
Langdon
suspected
this
was
more
of
a
cartoonist
’
s
sophomoric
prank
than
any
kind
of
enlightened
allusion
to
pagan
human
sexuality
,
he
had
learned
not
to
underestimate
Disney
’
s
grasp
of
symbolism
.
The
Little
Mermaid
was
a
spellbinding
tapestry
of
spiritual
symbols
so
specifically
goddess
-
related
that
they
could
not
be
coincidence
.
