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- Дэн Браун
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- Ангелы и демоны
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- Стр. 372/583
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The
entries
had
apparently
been
logged
chronologically
,
one
by
one
,
as
Bernini
created
each
new
work
.
Everything
was
listed
by
date
.
No
help
at
all
.
As
Langdon
stared
at
the
list
,
another
disheartening
thought
occurred
to
him
.
The
title
of
the
sculpture
he
was
looking
for
might
not
even
contain
the
word
Fire
.
The
previous
two
works
—
Habakkuk
and
the
Angel
and
West
Ponente
—
had
not
contained
specific
references
to
Earth
or
Air
.
He
spent
a
minute
or
two
flipping
randomly
through
the
ledger
in
hopes
that
an
illustration
might
jump
out
at
him
.
Nothing
did
.
He
saw
dozens
of
obscure
works
he
had
never
heard
of
,
but
he
also
saw
plenty
he
recognized
…
Daniel
and
the
Lion
,
Apollo
and
Daphne
,
as
well
as
a
half
dozen
fountains
.
When
he
saw
the
fountains
,
his
thoughts
skipped
momentarily
ahead
.
Water
.
He
wondered
if
the
fourth
altar
of
science
was
a
fountain
.
A
fountain
seemed
a
perfect
tribute
to
water
.
Langdon
hoped
they
could
catch
the
killer
before
he
had
to
consider
Water
—
Bernini
had
carved
dozens
of
fountains
in
Rome
,
most
of
them
in
front
of
churches
.
Langdon
turned
back
to
the
matter
at
hand
.
Fire
.
As
he
looked
through
the
book
,
Vittoria
’
s
words
encouraged
him
.
You
were
familiar
with
the
first
two
sculptures
…
you
probably
know
this
one
too
.
As
he
turned
to
the
index
again
,
he
scanned
for
titles
he
knew
.
Some
were
familiar
,
but
none
jumped
out
.
Langdon
now
realized
he
would
never
complete
his
search
before
passing
out
,
so
he
decided
,
against
his
better
judgment
,
that
he
would
have
to
take
the
book
outside
the
vault
.
It
’
s
only
a
ledger
,
he
told
himself
.
It
’
s
not
like
I
’
m
removing
an
original
Galilean
folio
.
Langdon
recalled
the
folio
in
his
breast
pocket
and
reminded
himself
to
return
it
before
leaving
.
Hurrying
now
,
he
reached
down
to
lift
the
volume
,
but
as
he
did
,
he
saw
something
that
gave
him
pause
.
Although
there
were
numerous
notations
throughout
the
index
,
the
one
that
had
just
caught
his
eye
seemed
odd
.
The
note
indicated
that
the
famous
Bernini
sculpture
,
The
Ecstasy
of
St
.
Teresa
,
shortly
after
its
unveiling
,
had
been
moved
from
its
original
location
inside
the
Vatican
.
This
in
itself
was
not
what
had
caught
Langdon
’
s
eye
.
He
was
already
familiar
with
the
sculpture
’
s
checkered
past
.
Though
some
thought
it
a
masterpiece
,
Pope
Urban
VIII
had
rejected
The
Ecstasy
of
St
.
Teresa
as
too
sexually
explicit
for
the
Vatican
.
He
had
banished
it
to
some
obscure
chapel
across
town
.
What
had
caught
Langdon
’
s
eye
was
that
the
work
had
apparently
been
placed
in
one
of
the
five
churches
on
his
list
.
What
was
more
,
the
note
indicated
it
had
been
moved
there
per
suggerimento
del
artista
.
By
suggestion
of
the
artist
?
Langdon
was
confused
.
It
made
no
sense
that
Bernini
had
suggested
his
masterpiece
be
hidden
in
some
obscure
location
.
All
artists
wanted
their
work
displayed
prominently
,
not
in
some
remote
—
Langdon
hesitated
.
Unless
…
He
was
fearful
even
to
entertain
the
notion
.
Was
it
possible
?
Had
Bernini
intentionally
created
a
work
so
explicit
that
it
forced
the
Vatican
to
hide
it
in
some
out
-
of
-
the
-
way
spot
?
A
location
perhaps
that
Bernini
himself
could
suggest
?
Maybe
a
remote
church
on
a
direct
line
with
West
Ponente
’
s
breath
?
