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- Дэн Браун
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- Ангелы и демоны
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- Стр. 371/583
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The
camerlegno
turned
,
shadows
accentuating
the
pain
on
his
face
.
"
Exactly
fifteen
days
ago
.
We
are
going
to
see
him
right
now
.
"
The
dark
lights
glowed
hot
inside
the
archival
vault
.
This
vault
was
much
smaller
than
the
previous
one
Langdon
had
been
in
.
Less
air
.
Less
time
.
He
wished
he
’
d
asked
Olivetti
to
turn
on
the
recirculating
fans
.
Langdon
quickly
located
the
section
of
assets
containing
the
ledgers
cataloging
Belle
Arti
.
The
section
was
impossible
to
miss
.
It
occupied
almost
eight
full
stacks
.
The
Catholic
church
owned
millions
of
individual
pieces
worldwide
.
Langdon
scanned
the
shelves
searching
for
Gianlorenzo
Bernini
.
He
began
his
search
about
midway
down
the
first
stack
,
at
about
the
spot
he
thought
the
B
’
s
would
begin
.
After
a
moment
of
panic
fearing
the
ledger
was
missing
,
he
realized
,
to
his
greater
dismay
,
that
the
ledgers
were
not
arranged
alphabetically
.
Why
am
I
not
surprised
?
It
was
not
until
Langdon
circled
back
to
the
beginning
of
the
collection
and
climbed
a
rolling
ladder
to
the
top
shelf
that
he
understood
the
vault
’
s
organization
.
Perched
precariously
on
the
upper
stacks
he
found
the
fattest
ledgers
of
all
—
those
belonging
to
the
masters
of
the
Renaissance
—
Michelangelo
,
Raphael
,
da
Vinci
,
Botticelli
.
Langdon
now
realized
,
appropriate
to
a
vault
called
"
Vatican
Assets
,
"
the
ledgers
were
arranged
by
the
overall
monetary
value
of
each
artist
’
s
collection
.
Sandwiched
between
Raphael
and
Michelangelo
,
Langdon
found
the
ledger
marked
Bernini
.
It
was
over
five
inches
thick
.
Already
short
of
breath
and
struggling
with
the
cumbersome
volume
,
Langdon
descended
the
ladder
.
Then
,
like
a
kid
with
a
comic
book
,
he
spread
himself
out
on
the
floor
and
opened
the
cover
.
The
book
was
cloth
-
bound
and
very
solid
.
The
ledger
was
handwritten
in
Italian
.
Each
page
cataloged
a
single
work
,
including
a
short
description
,
date
,
location
,
cost
of
materials
,
and
sometimes
a
rough
sketch
of
the
piece
.
Langdon
fanned
through
the
pages
…
over
eight
hundred
in
all
.
Bernini
had
been
a
busy
man
.
As
a
young
student
of
art
,
Langdon
had
wondered
how
single
artists
could
create
so
much
work
in
their
lifetimes
.
Later
he
learned
,
much
to
his
disappointment
,
that
famous
artists
actually
created
very
little
of
their
own
work
.
They
ran
studios
where
they
trained
young
artists
to
carry
out
their
designs
.
Sculptors
like
Bernini
created
miniatures
in
clay
and
hired
others
to
enlarge
them
into
marble
.
Langdon
knew
that
if
Bernini
had
been
required
to
personally
complete
all
of
his
commissions
,
he
would
still
be
working
today
.
"
Index
,
"
he
said
aloud
,
trying
to
ward
off
the
mental
cobwebs
.
He
flipped
to
the
back
of
the
book
,
intending
to
look
under
the
letter
F
for
titles
containing
the
word
fuòco
—
fire
—
but
the
F
’
s
were
not
together
.
Langdon
swore
under
his
breath
.
What
the
hell
do
these
people
have
against
alphabetizing
?
