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Office
of
the
Pope
,
Langdon
thought
,
having
difficulty
fathoming
that
he
was
standing
outside
one
of
the
most
sacred
rooms
in
all
of
world
religion
.
"
Avanti
!
"
someone
called
from
within
.
When
the
door
opened
,
Langdon
had
to
shield
his
eyes
.
The
sunlight
was
blinding
.
Slowly
,
the
image
before
him
came
into
focus
.
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The
Office
of
the
Pope
seemed
more
of
a
ballroom
than
an
office
.
Red
marble
floors
sprawled
out
in
all
directions
to
walls
adorned
with
vivid
frescoes
.
A
colossal
chandelier
hung
overhead
,
beyond
which
a
bank
of
arched
windows
offered
a
stunning
panorama
of
the
sun
-
drenched
St
.
Peter
s
Square
.
My
God
,
Langdon
thought
.
This
is
a
room
with
a
view
.
At
the
far
end
of
the
hall
,
at
a
carved
desk
,
a
man
sat
writing
furiously
.
"
Avanti
,
"
he
called
out
again
,
setting
down
his
pen
and
waving
them
over
.
Olivetti
led
the
way
,
his
gait
military
.
"
Signore
,
"
he
said
apologetically
.
"
No
ho
potuto
"
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The
man
cut
him
off
.
He
stood
and
studied
his
two
visitors
.
The
camerlegno
was
nothing
like
the
images
of
frail
,
beatific
old
men
Langdon
usually
imagined
roaming
the
Vatican
.
He
wore
no
rosary
beads
or
pendants
.
No
heavy
robes
.
He
was
dressed
instead
in
a
simple
black
cassock
that
seemed
to
amplify
the
solidity
of
his
substantial
frame
.
He
looked
to
be
in
his
late
-
thirties
,
indeed
a
child
by
Vatican
standards
.
He
had
a
surprisingly
handsome
face
,
a
swirl
of
coarse
brown
hair
,
and
almost
radiant
green
eyes
that
shone
as
if
they
were
somehow
fueled
by
the
mysteries
of
the
universe
.
As
the
man
drew
nearer
,
though
,
Langdon
saw
in
his
eyes
a
profound
exhaustion
like
a
soul
who
had
been
through
the
toughest
fifteen
days
of
his
life
.
"
I
am
Carlo
Ventresca
,
"
he
said
,
his
English
perfect
.
"
The
late
Pope
s
camerlegno
.
"
His
voice
was
unpretentious
and
kind
,
with
only
the
slightest
hint
of
Italian
inflection
.