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'
Oh
yes
,
I
can
assure
you
,
men
in
felt
hats
and
women
carrying
baskets
--
you
have
lost
something
that
would
have
been
very
valuable
to
you
.
You
have
lost
a
leader
whom
you
would
have
followed
;
and
one
of
you
has
lost
happiness
and
children
.
He
is
dead
who
would
have
given
you
that
.
He
lies
on
a
camp-bed
,
bandaged
,
in
some
hot
Indian
hospital
while
coolies
squatted
on
the
floor
agitate
those
fans
--
I
forget
how
they
call
them
.
But
this
is
important
;
"
You
are
well
out
of
it
,
"
I
said
,
while
the
doves
descended
over
the
roofs
and
my
son
was
born
,
as
if
it
were
a
fact
.
I
remember
,
as
a
boy
,
his
curious
air
of
detachment
.
And
I
go
on
to
say
(
my
eyes
fill
with
tears
and
then
are
dry
)
,
"
But
this
is
better
than
one
had
dared
to
hope
.
"
I
say
,
addressing
what
is
abstract
,
facing
me
eyeless
at
the
end
of
the
avenue
,
in
the
sky
,
"
Is
this
the
utmost
you
can
do
?
"
Then
we
have
triumphed
.
You
have
done
your
utmost
,
I
say
,
addressing
that
blank
and
brutal
face
(
for
he
was
twenty-five
and
should
have
lived
to
be
eighty
)
without
avail
.
I
am
not
going
to
lie
down
and
weep
away
a
life
of
care
.
(
An
entry
to
be
made
in
my
pocket-book
;
contempt
for
those
who
inflict
meaningless
death
.
)
Further
,
this
is
important
;
that
I
should
be
able
to
place
him
in
trifling
and
ridiculous
situations
,
so
that
he
may
not
feel
himself
absurd
,
perched
on
a
great
horse
.
I
must
be
able
to
say
,
"
Percival
,
a
ridiculous
name
.
"
At
the
same
time
let
me
tell
you
,
men
and
women
,
hurrying
to
the
tube
station
,
you
would
have
had
to
respect
him
.
You
would
have
had
to
form
up
and
follow
behind
him
.
How
strange
to
oar
one
's
way
through
crowds
seeing
life
through
hollow
eyes
,
burning
eyes
.
'
Yet
already
signals
begin
,
beckonings
,
attempts
to
lure
me
back
.
Curiosity
is
knocked
out
for
only
a
short
time
.
One
can
not
live
outside
the
machine
for
more
perhaps
than
half
an
hour
.
Bodies
,
I
note
,
already
begin
to
look
ordinary
;
but
what
is
behind
them
differs
--
the
perspective
.
Behind
that
newspaper
placard
is
the
hospital
;
the
long
room
with
black
men
pulling
ropes
;
and
then
they
bury
him
.
Yet
since
it
says
a
famous
actress
has
been
divorced
,
I
ask
instantly
Which
?
Yet
I
can
not
take
out
my
penny
;
I
can
not
buy
a
paper
;
I
can
not
suffer
interruption
yet
.
'
I
ask
,
if
I
shall
never
see
you
again
and
fix
my
eyes
on
that
solidity
,
what
form
will
our
communication
take
?
You
have
gone
across
the
court
,
further
and
further
,
drawing
finer
and
finer
the
thread
between
us
.
But
you
exist
somewhere
.
Something
of
you
remains
.
A
judge
.
That
is
,
if
I
discover
a
new
vein
in
myself
I
shall
submit
it
to
you
privately
.
I
shall
ask
,
What
is
your
verdict
?
You
shall
remain
the
arbiter
.
But
for
how
long
?
Things
will
become
too
difficult
to
explain
:
there
will
be
new
things
;
already
my
son
.
I
am
now
at
the
zenith
of
an
experience
.
It
will
decline
.
Already
I
no
longer
cry
with
conviction
,
"
What
luck
!
"
Exaltation
,
the
flight
of
doves
descending
,
is
over
.
Chaos
,
detail
return
.
I
am
no
longer
amazed
by
names
written
over
shop-windows
.
I
do
not
feel
Why
hurry
?
Why
catch
trains
?
The
sequence
returns
;
one
thing
leads
to
another
--
the
usual
order
.
'
Yes
,
but
I
still
resent
the
usual
order
.
I
will
not
let
myself
be
made
yet
to
accept
the
sequence
of
things
.
I
will
walk
;
I
will
not
change
the
rhythm
of
my
mind
by
stopping
,
by
looking
;
I
will
walk
.
I
will
go
up
these
steps
into
the
gallery
and
submit
myself
to
the
influence
of
minds
like
mine
outside
the
sequence
.
There
is
little
time
left
to
answer
the
question
;
my
powers
flag
;
I
become
torpid
.
Here
are
pictures
.
Here
are
cold
madonnas
among
their
pillars
.
Let
them
lay
to
rest
the
incessant
activity
of
the
mind
's
eye
,
the
bandaged
head
,
the
men
with
ropes
,
so
that
I
may
find
something
unvisual
beneath
.
Here
are
gardens
;
and
Venus
among
her
flowers
;
here
are
saints
and
blue
madonnas
.
Mercifully
these
pictures
make
no
reference
;
they
do
not
nudge
;
they
do
not
point
.
Thus
they
expand
my
consciousness
of
him
and
bring
him
back
to
me
differently
.
I
remember
his
beauty
.
"
Look
,
where
he
comes
,
"
I
said
.
'
Lines
and
colours
almost
persuade
me
that
I
too
can
be
heroic
,
I
,
who
make
phrases
so
easily
,
am
so
soon
seduced
,
love
what
comes
next
,
and
can
not
clench
my
fist
,
but
vacillate
weakly
making
phrases
according
to
my
circumstances
.
Now
,
through
my
own
infirmity
I
recover
what
he
was
to
me
:
my
opposite
.
Being
naturally
truthful
,
he
did
not
see
the
point
of
these
exaggerations
,
and
was
borne
on
by
a
natural
sense
of
the
fitting
,
was
indeed
a
great
master
of
the
art
of
living
so
that
he
seems
to
have
lived
long
,
and
to
have
spread
calm
round
him
,
indifference
one
might
almost
say
,
certainly
to
his
own
advancement
,
save
that
he
had
also
great
compassion
.
A
child
playing
--
a
summer
evening
--
doors
will
open
and
shut
,
will
keep
opening
and
shutting
,
through
which
I
see
sights
that
make
me
weep
.
For
they
can
not
be
imparted
.
Hence
our
loneliness
;
hence
our
desolation
.
I
turn
to
that
spot
in
my
mind
and
find
it
empty
.
My
own
infirmities
oppress
me
.
There
is
no
longer
him
to
oppose
them
.
'
Behold
,
then
,
the
blue
madonna
streaked
with
tears
.
This
is
my
funeral
service
.
We
have
no
ceremonies
,
only
private
dirges
and
no
conclusions
,
only
violent
sensations
,
each
separate
.
Nothing
that
has
been
said
meets
our
case
.
We
sit
in
the
Italian
room
at
the
National
Gallery
picking
up
fragments
.
I
doubt
that
Titian
ever
felt
this
rat
gnaw
.
Painters
live
lives
of
methodical
absorption
,
adding
stroke
to
stroke
.
They
are
not
like
poets
--
scapegoats
;
they
are
not
chained
to
the
rock
.
Hence
the
silence
,
the
sublimity
.
Yet
that
crimson
must
have
burnt
in
Titian
's
gizzard
.
No
doubt
he
rose
with
the
great
arms
holding
the
cornucopia
,
and
fell
,
in
that
descent
.
But
the
silence
weighs
on
me
--
the
perpetual
solicitation
of
the
eye
.
The
pressure
is
intermittent
and
muffled
.
I
distinguish
too
little
and
too
vaguely
.
The
bell
is
pressed
and
I
do
not
ring
or
give
out
irrelevant
clamours
all
jangled
.
I
am
titillated
inordinately
by
some
splendour
;
the
ruffled
crimson
against
the
green
lining
;
the
march
of
pillars
:
the
orange
light
behind
the
black
,
pricked
ears
of
the
olive
trees
.
Arrows
of
sensation
strike
from
my
spine
,
but
without
order
.
'
Yet
something
is
added
to
my
interpretation
.
Something
lies
deeply
buried
.
For
one
moment
I
thought
to
grasp
it
.
But
bury
it
,
bury
it
;
let
it
breed
,
hidden
in
the
depths
of
my
mind
some
day
to
fructify
.
After
a
long
lifetime
,
loosely
,
in
a
moment
of
revelation
,
I
may
lay
hands
on
it
,
but
now
the
idea
breaks
in
my
hand
.
Ideas
break
a
thousand
times
for
once
that
they
globe
themselves
entire
.
They
break
:
they
fall
over
me
.
"
Line
and
colours
they
survive
,
therefore
...
"