-
Главная
-
- Книги
-
- Авторы
-
- Вирджиния Вульф
-
- Волны
-
- Стр. 16/81
Для того чтобы воспользоваться озвучкой предложений, необходимо
Войти или зарегистрироваться
Озвучка предложений доступна при наличии PRO-доступа
Купить PRO-доступ
'
Bernard
's
stories
amuse
me
,
'
said
Neville
,
'
at
the
start
.
But
when
they
tail
off
absurdly
and
he
gapes
,
twiddling
a
bit
of
string
,
I
feel
my
own
solitude
.
He
sees
everyone
with
blurred
edges
.
Hence
I
can
not
talk
to
him
of
Percival
.
I
can
not
expose
my
absurd
and
violent
passion
to
his
sympathetic
understanding
.
It
too
would
make
a
"
story
"
.
I
need
someone
whose
mind
falls
like
a
chopper
on
a
block
;
to
whom
the
pitch
of
absurdity
is
sublime
,
and
a
shoe-string
adorable
.
To
whom
I
can
expose
the
urgency
of
my
own
passion
?
Louis
is
too
cold
,
too
universal
.
There
is
nobody
here
among
these
grey
arches
,
and
moaning
pigeons
,
and
cheerful
games
and
tradition
and
emulation
,
all
so
skilfully
organized
to
prevent
feeling
alone
.
Yet
I
am
struck
still
as
I
walk
by
sudden
premonitions
of
what
is
to
come
.
Yesterday
,
passing
the
open
door
leading
into
the
private
garden
,
I
saw
Fenwick
with
his
mallet
raised
.
The
steam
from
the
tea-urn
rose
in
the
middle
of
the
lawn
.
There
were
banks
of
blue
flowers
.
Then
suddenly
descended
upon
me
the
obscure
,
the
mystic
sense
of
adoration
,
of
completeness
that
triumphed
over
chaos
.
Nobody
saw
my
poised
and
intent
figure
as
I
stood
at
the
open
door
.
Nobody
guessed
the
need
I
had
to
offer
my
being
to
one
god
;
and
perish
,
and
disappear
.
His
mallet
descended
;
the
vision
broke
.
'S
hould
I
seek
out
some
tree
?
Should
I
desert
these
form
rooms
and
libraries
,
and
the
broad
yellow
page
in
which
I
read
Catullus
,
for
woods
and
fields
?
Should
I
walk
under
beech
trees
,
or
saunter
along
the
river
bank
,
where
the
trees
meet
united
like
lovers
in
the
water
?
But
nature
is
too
vegetable
,
too
vapid
.
She
has
only
sublimities
and
vastitudes
and
water
and
leaves
.
I
begin
to
wish
for
firelight
,
privacy
,
and
the
limbs
of
one
person
.
'
'
I
begin
to
wish
,
'
said
Louis
,
'
for
night
to
come
.
As
I
stand
here
with
my
hand
on
the
grained
oak
panel
of
Mr
Wickham
's
door
I
think
myself
the
friend
of
Richelieu
,
or
the
Duke
of
St
Simon
holding
out
a
snuff-box
to
the
King
himself
.
It
is
my
privilege
.
My
witticisms
"
run
like
wildfire
through
the
court
"
.
Duchesses
tear
emeralds
from
their
earrings
out
of
admiration
--
but
these
rockets
rise
best
in
darkness
,
in
my
cubicle
at
night
.
I
am
now
a
boy
only
with
a
colonial
accent
holding
my
knuckles
against
Mr
Wickham
's
grained
oak
door
.
The
day
has
been
full
of
ignominies
and
triumphs
concealed
from
fear
of
laughter
.
I
am
the
best
scholar
in
the
school
.
But
when
darkness
comes
I
put
off
this
unenviable
body
--
my
large
nose
,
my
thin
lips
,
my
colonial
accent
--
and
inhabit
space
.
I
am
then
Virgil
's
companion
,
and
Plato
's
.
I
am
then
the
last
scion
of
one
of
the
great
houses
of
France
.
But
I
am
also
one
who
will
force
himself
to
desert
these
windy
and
moonlit
territories
,
these
midnight
wanderings
,
and
confront
grained
oak
doors
.
I
will
achieve
in
my
life
--
Heaven
grant
that
it
be
not
long
--
some
gigantic
amalgamation
between
the
two
discrepancies
so
hideously
apparent
to
me
.
Out
of
my
suffering
I
will
do
it
.
I
will
knock
.
I
will
enter
.
'
'
I
have
torn
off
the
whole
of
May
and
June
,
'
said
Susan
,
'
and
twenty
days
of
July
.
I
have
torn
them
off
and
screwed
them
up
so
that
they
no
longer
exist
,
save
as
a
weight
in
my
side
.
They
have
been
crippled
days
,
like
moths
with
shrivelled
wings
unable
to
fly
.
There
are
only
eight
days
left
.
In
eight
days
'
time
I
shall
get
out
of
the
train
and
stand
on
the
platform
at
six
twenty
five
.
Then
my
freedom
will
unfurl
,
and
all
these
restrictions
that
wrinkle
and
shrivel
--
hours
and
order
and
discipline
,
and
being
here
and
there
exactly
at
the
right
moment
--
will
crack
asunder
.
Out
the
day
will
spring
,
as
I
open
the
carriage-door
and
see
my
father
in
his
old
hat
and
gaiters
.
I
shall
tremble
.
I
shall
burst
into
tears
.
Then
next
morning
I
shall
get
up
at
dawn
.
I
shall
let
myself
out
by
the
kitchen
door
.
I
shall
walk
on
the
moor
.
The
great
horses
of
the
phantom
riders
will
thunder
behind
me
and
stop
suddenly
.
I
shall
see
the
swallow
skim
the
grass
.
I
shall
throw
myself
on
a
bank
by
the
river
and
watch
the
fish
slip
in
and
out
among
the
reeds
.
The
palms
of
my
hands
will
be
printed
with
pine-needles
.
I
shall
there
unfold
and
take
out
whatever
it
is
I
have
made
here
;
something
hard
.
For
something
has
grown
in
me
here
,
through
the
winters
and
summers
,
on
staircases
,
in
bedrooms
.
I
do
not
want
,
as
Jinny
wants
,
to
be
admired
.
I
do
not
want
people
,
when
I
come
in
,
to
look
up
with
admiration
.
I
want
to
give
,
to
be
given
,
and
solitude
in
which
to
unfold
my
possessions
.
'
Then
I
shall
come
back
through
the
trembling
lanes
under
the
arches
of
the
nut
leaves
.
I
shall
pass
an
old
woman
wheeling
a
perambulator
full
of
sticks
;
and
the
shepherd
.
But
we
shall
not
speak
.
I
shall
come
back
through
the
kitchen
garden
,
and
see
the
curved
leaves
of
the
cabbages
pebbled
with
dew
,
and
the
house
in
the
garden
,
blind
with
curtained
windows
.
I
shall
go
upstairs
to
my
room
,
and
turn
over
my
own
things
,
locked
carefully
in
the
wardrobe
:
my
shells
;
my
eggs
;
my
curious
grasses
.
I
shall
feed
my
doves
and
my
squirrel
.
I
shall
go
to
the
kennel
and
comb
my
spaniel
.
So
gradually
I
shall
turn
over
the
hard
thing
that
has
grown
here
in
my
side
.
But
here
bells
ring
;
feet
shuffle
perpetually
.
'
'
I
hate
darkness
and
sleep
and
night
,
'
said
Jinny
,
'
and
lie
longing
for
the
day
to
come
.
I
long
that
the
week
should
be
all
one
day
without
divisions
.
When
I
wake
early
--
and
the
birds
wake
me
--
I
lie
and
watch
the
brass
handles
on
the
cupboard
grow
clear
;
then
the
basin
;
then
the
towel-horse
.
As
each
thing
in
the
bedroom
grows
clear
,
my
heart
beats
quicker
.
I
feel
my
body
harden
,
and
become
pink
,
yellow
,
brown
.
My
hands
pass
over
my
legs
and
body
.
I
feel
its
slopes
,
its
thinness
.
I
love
to
hear
the
gong
roar
through
the
house
and
the
stir
begin
--
here
a
thud
,
there
a
patter
.
Doors
slam
;
water
rushes
.
Here
is
another
day
,
here
is
another
day
,
I
cry
,
as
my
feet
touch
the
floor
.
It
may
be
a
bruised
day
,
an
imperfect
day
.
I
am
often
scolded
.
I
am
often
in
disgrace
for
idleness
,
for
laughing
;
but
even
as
Miss
Matthews
grumbles
at
my
feather-headed
carelessness
,
I
catch
sight
of
something
moving
--
a
speck
of
sun
perhaps
on
a
picture
,
or
the
donkey
drawing
the
mowing-machine
across
the
lawn
;
or
a
sail
that
passes
between
the
laurel
leaves
,
so
that
I
am
never
cast
down
.
I
can
not
be
prevented
from
pirouetting
behind
Miss
Matthews
into
prayers
.
'N
ow
,
too
,
the
time
is
coming
when
we
shall
leave
school
and
wear
long
skirts
.
I
shall
wear
necklaces
and
a
white
dress
without
sleeves
at
night
.
There
will
be
parties
in
brilliant
rooms
;
and
one
man
will
single
me
out
and
will
tell
me
what
he
has
told
no
other
person
.
He
will
like
me
better
than
Susan
or
Rhoda
.
He
will
find
in
me
some
quality
,
some
peculiar
thing
.
But
I
shall
not
let
myself
be
attached
to
one
person
only
.
I
do
not
want
to
be
fixed
,
to
be
pinioned
.
I
tremble
,
I
quiver
,
like
the
leaf
in
the
hedge
,
as
I
sit
dangling
my
feet
,
on
the
edge
of
the
bed
,
with
a
new
day
to
break
open
.
I
have
fifty
years
,
I
have
sixty
years
to
spend
.
I
have
not
yet
broken
into
my
hoard
.
This
is
the
beginning
.
'