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"
Oh
,
I
don
’
t
think
so
.
I
’
m
not
very
keen
about
acting
any
more
.
I
find
it
almost
impossible
to
find
a
part
to
suit
me
.
You
see
,
at
my
time
of
life
I
can
’
t
very
well
play
young
lovers
,
and
authors
don
’
t
seem
to
write
the
parts
they
used
to
write
when
I
was
a
young
fellow
.
What
the
French
call
a
raisonneur
.
You
know
the
sort
of
thing
I
mean
,
a
duke
,
or
a
cabinet
minister
,
or
an
eminent
K
.
C
.
*
who
says
clever
,
witty
things
and
turns
people
round
his
little
finger
.
I
don
’
t
know
what
’
s
happened
to
authors
.
They
don
’
t
seem
able
to
write
good
lines
any
more
.
Bricks
without
straw
;
that
’
s
what
we
actors
are
expected
to
make
nowadays
.
And
are
they
grateful
to
us
?
The
authors
,
I
mean
.
You
’
d
be
surprised
if
I
told
you
the
terms
some
of
them
have
the
nerve
to
ask
.
"
"
The
fact
remains
,
we
can
’
t
do
without
them
,
"
smiled
Julia
.
"
If
the
play
’
s
wrong
no
acting
in
the
world
will
save
it
.
"
"
That
’
s
because
the
public
isn
’
t
really
interested
in
the
theatre
.
In
the
great
days
of
the
English
stage
people
didn
’
t
go
to
see
the
plays
,
they
went
to
see
the
players
.
It
didn
’
t
matter
what
Kemble
and
Mrs
.
Siddons
acted
.
The
public
went
to
see
them
.
And
even
now
,
though
I
don
’
t
deny
that
if
the
play
’
s
wrong
you
’
re
dished
,
I
do
contend
that
if
the
play
’
s
right
,
it
’
s
the
actors
the
public
go
to
see
,
not
the
play
.
"
"
I
don
’
t
think
anyone
can
deny
that
,
"
said
Julia
.
"
All
an
actress
like
Julia
wants
is
a
vehicle
.
Give
her
that
and
she
’
ll
do
the
rest
.
"
Julia
gave
the
young
man
a
delightful
,
but
slightly
deprecating
smile
.
"
You
mustn
’
t
take
my
husband
too
seriously
.
I
’
m
afraid
we
must
admit
that
he
’
s
partial
where
I
’
m
concerned
.
"
"
Unless
this
young
man
is
a
much
bigger
fool
than
I
think
him
he
must
know
that
there
’
s
nothing
in
the
way
of
acting
that
you
can
’
t
do
.
"
"
Oh
,
that
’
s
only
an
idea
that
people
have
got
because
I
take
care
never
to
do
anything
but
what
I
can
do
.
"
