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Do
n't
answer
that
,
you
do
n't
want
to
answer
that
because
that
's
the
bad
news
,
that
's
the
end
of
the
leash
that
leads
around
the
corner
and
into
the
darkness
,
and
I
do
n't
think
you
want
to
see
what
's
on
the
other
end
of
that
leash
,
Louis
,
I
really
do
n't
think
you
do
,
so
do
n't
answer
that
phone
,
run
,
run
now
,
the
car
's
in
the
garage
,
get
it
in
and
take
off
,
but
do
n't
answer
that
phone
--
He
crossed
the
room
and
picked
it
up
,
standing
there
with
one
hand
on
the
dryer
as
he
had
so
many
times
before
,
and
it
was
Irwin
Goldman
,
and
even
as
Irwin
said
hello
Louis
saw
the
tracks
crossing
the
kitchen
--
small
,
muddy
tracks
--
and
his
heart
seemed
to
freeze
in
his
chest
,
and
he
believed
he
could
feel
his
eyeballs
swelling
in
his
head
,
starting
from
their
sockets
;
he
believed
that
if
he
could
have
seen
himself
in
the
mirror
at
that
moment
he
would
have
seen
a
face
out
of
a
seventeenth-century
painting
of
a
lunatic
asylum
.
They
were
Gage
's
tracks
,
Gage
had
been
here
,
he
had
been
here
in
the
night
,
and
so
where
was
he
now
?
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"
It
's
Irwin
,
Louis
...
Louis
?
Are
you
there
?
Hello
?
"
"
Hello
,
Irwin
,
"
he
said
,
and
already
he
knew
what
Irwin
was
going
to
say
.
He
understood
the
blue
car
.
He
understood
everything
.
The
leash
...
the
leash
going
into
the
darkness
...
he
was
moving
fast
along
it
now
,
hand
over
hand
.
Ah
,
if
he
could
drop
it
before
he
saw
what
was
at
the
end
!
But
it
was
his
leash
.
He
had
bought
it
.
"
For
a
moment
I
thought
we
'd
been
cut
off
,
"
Goldman
was
saying
.
"
No
,
the
phone
slipped
out
of
my
hand
,
"
Louis
said
.
His
voice
was
calm
.
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"
Did
Rachel
make
it
home
last
night
?
"
"
Oh
yes
,
"
Louis
said
,
thinking
of
the
blue
car
,
Church
perched
on
top
of
it
,
the
blue
car
that
was
so
still
.
His
eye
traced
the
muddy
footprints
on
the
floor
.
"
I
ought
to
speak
to
her
,
"
Goldman
said
.
"
Right
away
.
It
's
about
Eileen
.
"