-
Главная
-
- Книги
-
- Авторы
-
- Роберт Хайнлайн
-
- Чужак в чужой стране
-
- Стр. 472/632
Для того чтобы воспользоваться озвучкой предложений, необходимо
Войти или зарегистрироваться
Озвучка предложений доступна при наличии PRO-доступа
Купить PRO-доступ
"
You
know
how
much
I
go
to
church
.
"
"
‘
How
little
’
you
mean
.
Still
,
you
must
know
that
,
as
craftsmanship
,
paintings
and
sculpture
of
the
Crucifixion
are
usually
atrocious
–
and
the
painted
,
realistic
ones
often
used
in
churches
are
the
worst
of
all
?
the
blood
looks
like
catsup
and
that
ex
-
carpenter
is
usually
portrayed
as
if
he
were
a
pansy
?
which
He
certainly
was
not
if
there
is
any
truth
in
the
four
Gospels
at
all
.
He
was
a
hearty
man
,
probably
muscular
and
of
rugged
health
.
But
despite
the
almost
uniformly
poor
portrayal
in
representations
of
the
Crucifixion
,
a
poor
one
is
about
as
effective
as
a
good
one
for
most
people
.
They
don
’
t
see
the
defects
;
what
they
see
is
a
symbol
which
inspires
their
deepest
emotions
;
it
recalls
to
them
the
Agony
and
Sacrifice
of
God
.
"
"
Jubal
,
I
thought
you
weren
’
t
a
Christian
?
"
"
What
’
s
that
got
to
do
with
it
?
Does
that
make
me
blind
and
deaf
to
fundamental
human
emotion
?
I
was
saying
that
the
crummiest
painted
plaster
crucifix
or
the
cheapest
cardboard
Christmas
Crche
can
be
sufficient
symbol
to
evoke
emotions
in
the
human
heart
so
strong
that
many
have
died
for
them
and
many
more
live
for
them
.
So
the
craftsmanship
and
artistic
judgment
with
which
such
a
symbol
is
wrought
are
largely
irrelevant
.
Now
here
we
have
another
emotional
symbol
–
wrought
with
exquisite
craftsmanship
,
but
we
won
’
t
go
into
that
,
yet
.
Ben
,
for
almost
three
thousand
years
or
longer
,
architects
have
designed
buildings
with
columns
shaped
as
female
figures
–
it
got
to
be
such
a
habit
that
they
did
it
as
casually
as
a
small
boy
steps
on
an
ant
.
After
all
those
centuries
it
took
Rodin
to
see
that
this
was
work
too
heavy
for
a
girl
.
But
he
didn
’
t
simply
say
,
‘
Look
,
you
jerks
,
if
you
must
design
this
way
,
make
it
a
brawny
male
figure
.
’
No
,
he
showed
it
?
and
generalized
the
symbol
.
Here
is
this
poor
little
caryatid
who
has
tried
–
and
failed
,
fallen
under
the
load
.
She
’
s
a
good
girl
–
look
at
her
face
.
Serious
,
unhappy
at
her
failure
,
but
not
blaming
anyone
else
,
not
even
the
gods
?
and
still
trying
to
shoulder
her
load
,
after
she
’
s
crumpled
under
it
.
"
But
she
’
s
more
than
good
art
denouncing
some
very
bad
art
;
she
’
s
a
symbol
for
every
woman
who
has
ever
tried
to
shoulder
a
load
that
was
too
heavy
for
her
–
over
half
the
female
population
of
this
planet
,
living
and
dead
,
I
would
guess
.
But
not
alone
women
–
this
symbol
is
sexless
.
It
means
every
man
and
every
woman
who
ever
lived
who
sweated
out
life
in
uncomplaining
fortitude
,
whose
courage
wasn
’
t
even
noticed
until
they
crumpled
under
their
loads
.
It
’
s
courage
,
Ben
,
and
victory
.
"
"
‘
Victory
?
’
"
"
Victory
in
defeat
,
there
is
none
higher
.
She
didn
’
t
give
up
,
Ben
;
she
’
s
still
trying
to
lift
that
stone
after
it
has
crushed
her
.
She
’
s
a
father
going
down
to
a
dull
office
job
while
cancer
is
painfully
eating
away
his
insides
,
so
as
to
bring
home
one
more
pay
check
for
the
kids
.
She
’
s
a
twelve
-
year
old
girl
trying
to
mother
her
baby
brothers
and
sisters
because
Mama
had
to
go
to
Heaven
.
She
’
s
a
switchboard
operator
sticking
to
her
job
while
smoke
is
choking
her
and
the
fire
is
cutting
off
her
escape
.
She
’
s
all
the
unsung
heroes
who
couldn
’
t
quite
cut
it
but
never
quit
.
Come
.
Just
salute
as
you
pass
her
and
come
see
my
Little
Mermaid
.
"
