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"
I
do
n't
agree
with
a
single
word
that
you
have
said
,
and
,
what
is
more
,
Harry
,
I
feel
sure
you
do
n't
either
.
"
Lord
Henry
stroked
his
pointed
brown
beard
,
and
tapped
the
toe
of
his
patent-leather
boot
with
a
tasselled
ebony
cane
.
"
How
English
you
are
,
Basil
!
That
is
the
second
time
you
have
made
that
observation
.
If
one
puts
forward
an
idea
to
a
true
Englishman
--
always
a
rash
thing
to
do
--
he
never
dreams
of
considering
whether
the
idea
is
right
or
wrong
.
The
only
thing
he
considers
of
any
importance
is
whether
one
believes
it
oneself
.
Now
,
the
value
of
an
idea
has
nothing
whatsoever
to
do
with
the
sincerity
of
the
man
who
expresses
it
.
Indeed
,
the
probabilities
are
that
the
more
insincere
the
man
is
,
the
more
purely
intellectual
will
the
idea
be
,
as
in
that
case
it
will
not
be
coloured
by
either
his
wants
,
his
desires
,
or
his
prejudices
.
However
,
I
do
n't
propose
to
discuss
politics
,
sociology
,
or
metaphysics
with
you
.
I
like
persons
better
than
principles
,
and
I
like
persons
with
no
principles
better
than
anything
else
in
the
world
.
Tell
me
more
about
Mr.
Dorian
Gray
.
How
often
do
you
see
him
?
"
"
Every
day
.
I
could
n't
be
happy
if
I
did
n't
see
him
every
day
.
He
is
absolutely
necessary
to
me
.
"
"
How
extraordinary
!
I
thought
you
would
never
care
for
anything
but
your
art
.
"
"
He
is
all
my
art
to
me
now
,
"
said
the
painter
,
gravely
.
"
I
sometimes
think
,
Harry
,
that
there
are
only
two
eras
of
any
importance
in
the
world
's
history
.
The
first
is
the
appearance
of
a
new
medium
for
art
,
and
the
second
is
the
appearance
of
a
new
personality
for
art
also
.
What
the
invention
of
oil-painting
was
to
the
Venetians
,
the
face
of
Antinoüs
was
to
late
Greek
sculpture
,
and
the
face
of
Dorian
Gray
will
some
day
be
to
me
.
It
is
not
merely
that
I
paint
from
him
,
draw
from
him
,
sketch
from
him
.
Of
course
I
have
done
all
that
.
But
he
is
much
more
to
me
than
a
model
or
a
sitter
.
I
wo
n't
tell
you
that
I
am
dissatisfied
with
what
I
have
done
of
him
,
or
that
his
beauty
is
such
that
Art
can
not
express
it
.
There
is
nothing
that
Art
can
not
express
,
and
I
know
that
the
work
I
have
done
,
since
I
met
Dorian
Gray
,
is
good
work
,
is
the
best
work
of
my
life
.
But
in
some
curious
way
--
I
wonder
will
you
understand
me
?
--
his
personality
has
suggested
to
me
an
entirely
new
manner
in
art
,
an
entirely
new
mode
of
style
.
I
see
things
differently
,
I
think
of
them
differently
.
I
can
now
recreate
life
in
a
way
that
was
hidden
from
me
,
before
.
'
'
A
dream
of
form
in
days
of
thought
:
'
--
who
is
it
who
says
that
?
I
forget
;
but
it
is
what
Dorian
Gray
has
been
to
me
.
The
merely
visible
presence
of
this
lad
--
for
he
seems
to
me
little
more
than
a
lad
,
though
he
is
really
over
twenty
--
his
merely
visible
presence
--
ah
!
I
wonder
can
you
realise
all
that
that
means
?
Unconsciously
he
defines
for
me
the
lines
of
a
fresh
school
,
a
school
that
is
to
have
in
it
all
the
passion
of
the
romantic
spirit
,
all
the
perfection
of
the
spirit
that
is
Greek
.
The
harmony
of
soul
and
body
--
how
much
that
is
!
We
in
our
madness
have
separated
the
two
,
and
have
invented
a
realism
that
is
vulgar
,
an
ideality
that
is
void
.
Harry
!
if
you
only
knew
what
Dorian
Gray
is
to
me
!
You
remember
that
landscape
of
mine
,
for
which
Agnew
offered
me
such
a
huge
price
,
but
which
I
would
not
part
with
?
It
is
one
of
the
best
things
I
have
ever
done
.
And
why
is
it
so
?
Because
,
while
I
was
painting
it
,
Dorian
Gray
sat
beside
me
.
Some
subtle
influence
passed
from
him
to
me
,
and
for
the
first
time
in
my
life
I
saw
in
the
plain
woodland
the
wonder
I
had
always
looked
for
,
and
always
missed
.
"
"
Basil
,
this
is
extraordinary
!
I
must
see
Dorian
Gray
.
"
Hallward
got
up
from
the
seat
,
and
walked
up
and
down
the
garden
.
After
some
time
he
came
back
.
"
Harry
,
"
he
said
,
"
Dorian
Gray
is
to
me
simply
a
motive
in
art
.
You
might
see
nothing
in
him
.
I
see
everything
in
him
.
He
is
never
more
present
in
my
work
than
when
no
image
of
him
is
there
.
He
is
a
suggestion
,
as
I
have
said
,
of
a
new
manner
.
I
find
him
in
the
curves
of
certain
lines
,
in
the
loveliness
and
subtleties
of
certain
colours
.
That
is
all
.
"
"
Then
why
wo
n't
you
exhibit
his
portrait
?
"
asked
Lord
Henry
.
"
Because
,
without
intending
it
,
I
have
put
into
it
some
expression
of
all
this
curious
artistic
idolatry
,
of
which
,
of
course
,
I
have
never
cared
to
speak
to
him
.
He
knows
nothing
about
it
.
He
shall
never
know
anything
about
it
.
But
the
world
might
guess
it
;
and
I
will
not
bare
my
soul
to
their
shallow
prying
eyes
.
My
heart
shall
never
be
put
under
their
microscope
.
There
is
too
much
of
myself
in
the
thing
,
Harry
--
too
much
of
myself
!
"
