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- Лев Толстой
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- Анна Каренина
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- Стр. 710/828
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“
But
,
I
beg
your
pardon
,
I
interrupted
you
.
.
.
you
were
saying
?
.
.
.
”
Levin
asked
if
she
had
seen
Dolly
lately
.
“
She
was
here
yesterday
.
She
was
very
indignant
with
the
high
school
people
on
Grisha
’
s
account
.
The
Latin
teacher
,
it
seems
,
had
been
unfair
to
him
.
”
“
Yes
,
I
have
seen
his
pictures
.
I
didn
’
t
care
for
them
very
much
,
”
Levin
went
back
to
the
subject
she
had
started
.
Levin
talked
now
not
at
all
with
that
purely
businesslike
attitude
to
the
subject
with
which
he
had
been
talking
all
the
morning
.
Every
word
in
his
conversation
with
her
had
a
special
significance
.
And
talking
to
her
was
pleasant
;
still
pleasanter
it
was
to
listen
to
her
.
Anna
talked
not
merely
naturally
and
cleverly
,
but
cleverly
and
carelessly
,
attaching
no
value
to
her
own
ideas
and
giving
great
weight
to
the
ideas
of
the
person
she
was
talking
to
.
The
conversation
turned
on
the
new
movement
in
art
,
on
the
new
illustrations
of
the
Bible
by
a
French
artist
.
Vorkuev
attacked
the
artist
for
a
realism
carried
to
the
point
of
coarseness
.
Levin
said
that
the
French
had
carried
conventionality
further
than
anyone
,
and
that
consequently
they
see
a
great
merit
in
the
return
to
realism
.
In
the
fact
of
not
lying
they
see
poetry
.
Never
had
anything
clever
said
by
Levin
given
him
so
much
pleasure
as
this
remark
.
Anna
’
s
face
lighted
up
at
once
,
as
at
once
she
appreciated
the
thought
.
She
laughed
.
“
I
laugh
,
”
she
said
,
“
as
one
laughs
when
one
sees
a
very
true
portrait
.
What
you
said
so
perfectly
hits
off
French
art
now
,
painting
and
literature
too
,
indeed
—
Zola
,
Daudet
.
But
perhaps
it
is
always
so
,
that
men
form
their
conceptions
from
fictitious
,
conventional
types
,
and
then
—
all
the
combinaisons
made
—
they
are
tired
of
the
fictitious
figures
and
begin
to
invent
more
natural
,
true
figures
.
”
