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"
I
haven
’
t
got
one
.
"
"
Is
he
dead
?
"
"
No
.
.
.
"
"
Then
if
he
’
s
not
dead
you
’
ve
got
one
,
haven
’
t
you
?
"
Dill
blushed
and
Jem
told
me
to
hush
,
a
sure
sign
that
Dill
had
been
studied
and
found
acceptable
.
Thereafter
the
summer
passed
in
routine
contentment
.
Routine
contentment
was
:
improving
our
treehouse
that
rested
between
giant
twin
chinaberry
trees
in
the
back
yard
,
fussing
,
running
through
our
list
of
dramas
based
on
the
works
of
Oliver
Optic
,
Victor
Appleton
,
and
Edgar
Rice
Burroughs
.
In
this
matter
we
were
lucky
to
have
Dill
.
He
played
the
character
parts
formerly
thrust
upon
me
—
the
ape
in
Tarzan
,
Mr
.
Crabtree
in
The
Rover
Boys
,
Mr
.
Damon
in
Tom
Swift
.
Thus
we
came
to
know
Dill
as
a
pocket
Merlin
,
whose
head
teemed
with
eccentric
plans
,
strange
longings
,
and
quaint
fancies
.
But
by
the
end
of
August
our
repertoire
was
vapid
from
countless
reproductions
,
and
it
was
then
that
Dill
gave
us
the
idea
of
making
Boo
Radley
come
out
.
The
Radley
Place
fascinated
Dill
.
In
spite
of
our
warnings
and
explanations
it
drew
him
as
the
moon
draws
water
,
but
drew
him
no
nearer
than
the
light
-
pole
on
the
corner
,
a
safe
distance
from
the
Radley
gate
.
There
he
would
stand
,
his
arm
around
the
fat
pole
,
staring
and
wondering
.
The
Radley
Place
jutted
into
a
sharp
curve
beyond
our
house
.
Walking
south
,
one
faced
its
porch
;
the
sidewalk
turned
and
ran
beside
the
lot
.
The
house
was
low
,
was
once
white
with
a
deep
front
porch
and
green
shutters
,
but
had
long
ago
darkened
to
the
color
of
the
slate
-
gray
yard
around
it
.
Rain
-
rotted
shingles
drooped
over
the
eaves
of
the
veranda
;
oak
trees
kept
the
sun
away
.
The
remains
of
a
picket
drunkenly
guarded
the
front
yard
—
a
"
swept
"
yard
that
was
never
swept
-
where
johnson
grass
and
rabbit
-
tobacco
grew
in
abundance
.
Inside
the
house
lived
a
malevolent
phantom
.
People
said
he
existed
,
but
Jem
and
I
had
never
seen
him
.