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- Гастон Леру
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- Призрак Оперы
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- Стр. 82/258
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She
had
passed
without
answering
his
cry
.
.
.
And
he
was
thinking
of
dying
;
and
he
was
twenty
years
old
!
.
.
.
His
valet
found
him
in
the
morning
sitting
on
his
bed
.
He
had
not
undressed
and
the
servant
feared
,
at
the
sight
of
his
face
,
that
some
disaster
had
occurred
.
Raoul
snatched
his
letters
from
the
man
’
s
hands
.
He
had
recognized
Christine
’
s
paper
and
hand
-
writing
She
said
:
DEAR
:
Go
to
the
masked
ball
at
the
Opera
on
the
night
after
to
-
morrow
.
At
twelve
o
’
clock
,
be
in
the
little
room
behind
the
chimney
-
place
of
the
big
crush
-
room
.
Stand
near
the
door
that
leads
to
the
Rotunda
.
Don
’
t
mention
this
appointment
to
any
one
on
earth
.
Wear
a
white
domino
and
be
carefully
masked
.
As
you
love
me
,
do
not
let
yourself
be
recognized
.
CHRISTINE
.
The
envelope
was
covered
with
mud
and
unstamped
.
It
bore
the
words
"
To
be
handed
to
M
.
le
Vicomte
Raoul
de
Chagny
,
"
with
the
address
in
pencil
.
It
must
have
been
flung
out
in
the
hope
that
a
passer
-
by
would
pick
up
the
note
and
deliver
it
,
which
was
what
happened
.
The
note
had
been
picked
up
on
the
pavement
of
the
Place
de
l
’
Opera
.
Raoul
read
it
over
again
with
fevered
eyes
.
No
more
was
needed
to
revive
his
hope
.
The
somber
picture
which
he
had
for
a
moment
imagined
of
a
Christine
forgetting
her
duty
to
herself
made
way
for
his
original
conception
of
an
unfortunate
,
innocent
child
,
the
victim
of
imprudence
and
exaggerated
sensibility
.
To
what
extent
,
at
this
time
,
was
she
really
a
victim
?
Whose
prisoner
was
she
?
Into
what
whirlpool
had
she
been
dragged
?
He
asked
himself
these
questions
with
a
cruel
anguish
;
but
even
this
pain
seemed
endurable
beside
the
frenzy
into
which
he
was
thrown
at
the
thought
of
a
lying
and
deceitful
Christine
.
What
had
happened
?
What
influence
had
she
undergone
?
What
monster
had
carried
her
off
and
by
what
means
?
.
.
.
By
what
means
indeed
but
that
of
music
?
He
knew
Christine
’
s
story
.
After
her
father
’
s
death
,
she
acquired
a
distaste
of
everything
in
life
,
including
her
art
.
She
went
through
the
CONSERVATOIRE
like
a
poor
soulless
singing
-
machine
.
And
,
suddenly
,
she
awoke
as
though
through
the
intervention
of
a
god
.
The
Angel
of
Music
appeared
upon
the
scene
!
She
sang
Margarita
in
FAUST
and
triumphed
!
.
.
.
The
Angel
of
Music
!
.
.
.
For
three
months
the
Angel
of
Music
had
been
giving
Christine
lessons
.
.
.
Ah
,
he
was
a
punctual
singing
-
master
!
.
.
.
And
now
he
was
taking
her
for
drives
in
the
Bois
!
.
.
.
