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- Гастон Леру
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"
Still
,
that
doesn
’
t
let
us
know
how
the
Opera
ghost
came
to
ask
you
for
a
footstool
,
"
insisted
M
.
Moncharmin
.
"
Well
,
from
that
evening
,
no
one
tried
to
take
the
ghost
’
s
private
box
from
him
.
The
manager
gave
orders
that
he
was
to
have
it
at
each
performance
.
And
,
whenever
he
came
,
he
asked
me
for
a
footstool
.
"
"
Tut
,
tut
!
A
ghost
asking
for
a
footstool
!
Then
this
ghost
of
yours
is
a
woman
?
"
"
No
,
the
ghost
is
a
man
.
"
"
How
do
you
know
?
"
"
He
has
a
man
’
s
voice
,
oh
,
such
a
lovely
man
’
s
voice
!
This
is
what
happens
:
When
he
comes
to
the
opera
,
it
’
s
usually
in
the
middle
of
the
first
act
.
He
gives
three
little
taps
on
the
door
of
Box
Five
.
The
first
time
I
heard
those
three
taps
,
when
I
knew
there
was
no
one
in
the
box
,
you
can
think
how
puzzled
I
was
!
I
opened
the
door
,
listened
,
looked
;
nobody
!
And
then
I
heard
a
voice
say
,
’
Mme
.
Jules
’
my
poor
husband
’
s
name
was
Jules
—
’
a
footstool
,
please
.
’
Saving
your
presence
,
gentlemen
,
it
made
me
feel
all
-
overish
like
.
But
the
voice
went
on
,
’
Don
’
t
be
frightened
,
Mme
.
Jules
,
I
’
m
the
Opera
ghost
!
’
And
the
voice
was
so
soft
and
kind
that
I
hardly
felt
frightened
.
THE
VOICE
WAS
SITTING
IN
THE
CORNER
CHAIR
,
ON
THE
RIGHT
,
IN
THE
FRONT
ROW
.
"
"
Was
there
any
one
in
the
box
on
the
right
of
Box
Five
?
"
asked
Moncharmin
.
"
No
;
Box
Seven
,
and
Box
Three
,
the
one
on
the
left
,
were
both
empty
.
The
curtain
had
only
just
gone
up
.
"
"
And
what
did
you
do
?
"
