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- Гастон Леру
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- Стр. 130/258
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"
Surely
you
will
not
do
anything
so
foolish
?
I
SHALL
know
how
to
prevent
you
!
"
"
Good
-
by
,
Philippe
,
"
said
the
viscount
again
and
left
the
room
.
This
scene
was
described
to
the
examining
-
magistrate
by
the
count
himself
,
who
did
not
see
Raoul
again
until
that
evening
,
at
the
Opera
,
a
few
minutes
before
Christine
’
s
disappearance
.
Raoul
,
in
fact
,
devoted
the
whole
day
to
his
preparations
for
the
flight
.
The
horses
,
the
carriage
,
the
coachman
,
the
provisions
,
the
luggage
,
the
money
required
for
the
journey
,
the
road
to
be
taken
(
he
had
resolved
not
to
go
by
train
,
so
as
to
throw
the
ghost
off
the
scent
)
:
all
this
had
to
be
settled
and
provided
for
;
and
it
occupied
him
until
nine
o
’
clock
at
night
.
At
nine
o
’
clock
,
a
sort
of
traveling
-
barouche
with
the
curtains
of
its
windows
close
-
down
,
took
its
place
in
the
rank
on
the
Rotunda
side
.
It
was
drawn
by
two
powerful
horses
driven
by
a
coachman
whose
face
was
almost
concealed
in
the
long
folds
of
a
muffler
.
In
front
of
this
traveling
-
carriage
were
three
broughams
,
belonging
respectively
to
Carlotta
,
who
had
suddenly
returned
to
Paris
,
to
Sorelli
and
,
at
the
head
of
the
rank
,
to
Comte
Philippe
de
Chagny
.
No
one
left
the
barouche
.
The
coachman
remained
on
his
box
,
and
the
three
other
coachmen
remained
on
theirs
.
A
shadow
in
a
long
black
cloak
and
a
soft
black
felt
hat
passed
along
the
pavement
between
the
Rotunda
and
the
carriages
,
examined
the
barouche
carefully
,
went
up
to
the
horses
and
the
coachman
and
then
moved
away
without
saying
a
word
,
The
magistrate
afterward
believed
that
this
shadow
was
that
of
the
Vicomte
Raoul
de
Chagny
;
but
I
do
not
agree
,
seeing
that
that
evening
,
as
every
evening
,
the
Vicomte
de
Chagny
was
wearing
a
tall
hat
,
which
hat
,
besides
,
was
subsequently
found
.
I
am
more
inclined
to
think
that
the
shadow
was
that
of
the
ghost
,
who
knew
all
about
the
whole
affair
,
as
the
reader
will
soon
perceive
.
They
were
giving
FAUST
,
as
it
happened
,
before
a
splendid
house
.
The
Faubourg
was
magnificently
represented
;
and
the
paragraph
in
that
morning
’
s
EPOQUE
had
already
produced
its
effect
,
for
all
eyes
were
turned
to
the
box
in
which
Count
Philippe
sat
alone
,
apparently
in
a
very
indifferent
and
careless
frame
of
mind
.
The
feminine
element
in
the
brilliant
audience
seemed
curiously
puzzled
;
and
the
viscount
’
s
absence
gave
rise
to
any
amount
of
whispering
behind
the
fans
.
Christine
Daae
met
with
a
rather
cold
reception
.
That
special
audience
could
not
forgive
her
for
aiming
so
high
.
The
singer
noticed
this
unfavorable
attitude
of
a
portion
of
the
house
and
was
confused
by
it
.
The
regular
frequenters
of
the
Opera
,
who
pretended
to
know
the
truth
about
the
viscount
’
s
love
-
story
,
exchanged
significant
smiles
at
certain
passages
in
Margarita
’
s
part
;
and
they
made
a
show
of
turning
and
looking
at
Philippe
de
Chagny
’
s
box
when
Christine
sang
:
