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- Фрэнсис Скотт Фицджеральд
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- Стр. 316/351
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Rosemary
,
falling
into
line
,
swayed
toward
Dick
and
crooned
:
"
Oh
,
you
’
re
so
nice
.
I
can
’
t
imagine
anybody
not
forgiving
you
anything
,
no
matter
what
you
did
to
them
.
"
Then
feeling
that
her
exuberance
had
transgressed
on
Nicole
’
s
rights
,
she
looked
at
the
sand
exactly
between
them
:
"
I
wanted
to
ask
you
both
what
you
thought
of
my
latest
pictures
—
if
you
saw
them
.
"
Nicole
said
nothing
,
having
seen
one
of
them
and
thought
little
about
it
.
"
It
’
ll
take
a
few
minutes
to
tell
you
,
"
Dick
said
.
"
Let
’
s
suppose
that
Nicole
says
to
you
that
Lanier
is
ill
.
What
do
you
do
in
life
?
What
does
anyone
do
?
They
ACT
—
face
,
voice
,
words
—
the
face
shows
sorrow
,
the
voice
shows
shock
,
the
words
show
sympathy
.
"
"
Yes
—
I
understand
.
"
"
But
in
the
theatre
,
No
.
In
the
theatre
all
the
best
comediennes
have
built
up
their
reputations
by
burlesquing
the
correct
emotional
responses
—
fear
and
love
and
sympathy
.
"
"
I
see
.
"
Yet
she
did
not
quite
see
.
Losing
the
thread
of
it
,
Nicole
’
s
impatience
increased
as
Dick
continued
:
"
The
danger
to
an
actress
is
in
responding
.
Again
,
let
’
s
suppose
that
somebody
told
you
,
‘
Your
lover
is
dead
.
’
In
life
you
’
d
probably
go
to
pieces
.
But
on
the
stage
you
’
re
trying
to
entertain
—
the
audience
can
do
the
‘
responding
’
for
themselves
.
First
the
actress
has
lines
to
follow
,
then
she
has
to
get
the
audience
’
s
attention
back
on
herself
,
away
from
the
murdered
Chinese
or
whatever
the
thing
is
.
So
she
must
do
something
unexpected
.
If
the
audience
thinks
the
character
is
hard
she
goes
soft
on
them
—
if
they
think
she
’
s
soft
she
goes
hard
.
You
go
all
OUT
of
character
—
you
understand
?
"
