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- Фрэнк Герберт
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- Стр. 971/972
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The
age
of
Emperor
Shaddam
Corrino
IV
is
slightly
inconsistent
in
the
novel
,
but
it
is
one
of
the
few
glitches
in
the
entire
Dune
series
.
This
is
remarkable
,
considering
the
fact
that
Frank
Herbert
wrote
the
books
on
typewriters
.
.
.
more
than
a
million
words
without
the
use
of
a
computer
to
keep
all
of
the
information
straight
.
Late
in
1961
,
in
the
midst
of
his
monumental
effort
,
Dad
fired
his
literary
agent
Lurton
Blassingame
,
because
he
didn
’
t
feel
the
agent
was
supportive
enough
and
because
he
couldn
’
t
bear
the
thought
of
sending
any
more
stories
into
the
New
York
publishing
industry
,
which
had
been
rejecting
him
for
years
.
A
couple
of
years
later
,
when
the
new
novel
was
nearly
complete
,
he
got
back
together
with
Blassingame
and
went
through
the
ordeal
of
rejection
after
rejection
—
more
than
twenty
of
them
—
until
Chilton
finally
picked
up
the
book
and
paid
an
advance
of
$
7
,
500
for
it
.
If
not
for
a
farsighted
editor
at
Chilton
,
Sterling
Lanier
,
Dune
might
never
have
been
published
,
and
world
literature
would
be
the
poorer
for
it
.
When
my
father
and
I
became
close
in
my
adulthood
and
we
began
to
write
together
,
he
spoke
to
me
often
of
the
importance
of
detail
,
of
density
of
writing
.
A
student
of
psychology
,
he
understood
the
subconscious
,
and
liked
to
say
that
Dune
could
be
read
on
any
of
several
layers
that
were
nested
beneath
the
adventure
story
of
a
messiah
on
a
desert
planet
.
Ecology
is
the
most
obvious
layer
,
but
alongside
that
are
politics
,
religion
,
philosophy
,
history
,
human
evolution
,
and
even
poetry
.
Dune
is
a
marvelous
tapestry
of
words
,
sounds
,
and
images
.
Sometimes
he
wrote
passages
in
poetry
first
,
which
he
expanded
and
converted
to
prose
,
forming
sentences
that
included
elements
of
the
original
poems
.
Dad
told
me
that
you
could
follow
any
of
the
novel
’
s
layers
as
you
read
it
,
and
then
start
the
book
all
over
again
,
focusing
on
an
entirely
different
layer
.
At
the
end
of
the
book
,
he
intentionally
left
loose
ends
and
said
he
did
this
to
send
the
readers
spinning
out
of
the
story
with
bits
and
pieces
of
it
still
clinging
to
them
,
so
that
they
would
want
to
go
back
and
read
it
again
.
A
neat
trick
,
and
he
pulled
it
off
perfectly
.
As
his
eldest
son
,
I
see
familial
influences
in
the
story
.
Earlier
,
I
noted
that
my
mother
is
memorialized
in
Dune
and
so
is
Dad
.
He
must
have
been
thinking
of
himself
when
he
wrote
that
Duke
Leto
’
s
“
qualities
as
a
father
have
long
been
overlooked
.
”
The
words
have
deep
significance
to
me
,
because
at
the
time
he
and
I
were
not
getting
along
well
at
all
.
I
was
going
through
a
rebellious
teenage
phase
,
reacting
to
the
uncompromising
manner
in
which
he
ruled
the
household
.
At
the
beginning
of
Dune
,
Paul
Atreides
is
fifteen
years
old
,
around
the
same
age
I
was
at
the
time
the
book
was
first
serialized
in
Analog
.
I
do
not
see
myself
much
in
the
characterization
of
Paul
,
but
I
do
see
Dad
in
Paul
’
s
father
,
the
noble
Duke
Leto
Atreides
.
In
one
passage
,
Frank
Herbert
wrote
:
“
Yet
many
facts
open
the
way
to
this
Duke
:
his
abiding
love
for
his
Bene
Gesserit
lady
;
the
dreams
he
held
for
his
son
.
.
.
”
Late
in
his
life
,
Dad
responded
to
interview
questions
about
my
own
writing
career
by
saying
,
“
The
acorn
doesn
’
t
fall
far
from
the
oak
tree
.
”
