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861
"
862
Charles
Gould
walked
rapidly
round
the
table
,
and
,
seizing
her
hands
,
bent
down
,
pressing
them
both
to
his
lips
.
Before
he
straightened
himself
up
again
to
his
full
height
she
had
disengaged
one
to
smooth
his
cheek
with
a
light
touch
,
as
if
he
were
a
little
boy
.
863
"
Try
to
get
some
rest
for
a
couple
of
hours
,
"
she
murmured
,
with
a
glance
at
a
hammock
stretched
in
a
distant
part
of
the
room
.
Her
long
train
swished
softly
after
her
on
the
red
tiles
.
At
the
door
she
looked
back
.
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864
Two
big
lamps
with
unpolished
glass
globes
bathed
in
a
soft
and
abundant
light
the
four
white
walls
of
the
room
,
with
a
glass
case
of
arms
,
the
brass
hilt
of
Henry
Gould
's
cavalry
sabre
on
its
square
of
velvet
,
and
the
water-colour
sketch
of
the
San
Tome
gorge
.
And
Mrs.
Gould
,
gazing
at
the
last
in
its
black
wooden
frame
,
sighed
out
--
865
"
Ah
,
if
we
had
left
it
alone
,
Charley
!
"
866
"
No
,
"
Charles
Gould
said
,
moodily
;
"
it
was
impossible
to
leave
it
alone
.
"
867
"
Perhaps
it
was
impossible
,
"
Mrs.
Gould
admitted
,
slowly
.
Her
lips
quivered
a
little
,
but
she
smiled
with
an
air
of
dainty
bravado
.
"
We
have
disturbed
a
good
many
snakes
in
that
Paradise
,
Charley
,
have
n't
we
?
"
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868
"
Yes
,
I
remember
,
"
said
Charles
Gould
,
"
it
was
Don
Pepe
who
called
the
gorge
the
Paradise
of
snakes
.
No
doubt
we
have
disturbed
a
great
many
.
But
remember
,
my
dear
,
that
it
is
not
now
as
it
was
when
you
made
that
sketch
.
869
"
He
waved
his
hand
towards
the
small
water-colour
hanging
alone
upon
the
great
bare
wall
.
"
It
is
no
longer
a
Paradise
of
snakes
.
We
have
brought
mankind
into
it
,
and
we
can
not
turn
our
backs
upon
them
to
go
and
begin
a
new
life
elsewhere
.
"
870
He
confronted
his
wife
with
a
firm
,
concentrated
gaze
,
which
Mrs.
Gould
returned
with
a
brave
assumption
of
fearlessness
before
she
went
out
,
closing
the
door
gently
after
her
.