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- Чувство и чувствительность
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"
Yes
,
very
.
"
"
I
do
not
understand
you
,
"
replied
he
,
colouring
.
"
Reserved
!
—
how
,
in
what
manner
?
What
am
I
to
tell
you
?
What
can
you
suppose
?
"
Elinor
looked
surprised
at
his
emotion
;
but
trying
to
laugh
off
the
subject
,
she
said
to
him
,
"
Do
not
you
know
my
sister
well
enough
to
understand
what
she
means
?
Do
not
you
know
she
calls
every
one
reserved
who
does
not
talk
as
fast
,
and
admire
what
she
admires
as
rapturously
as
herself
?
"
Edward
made
no
answer
.
His
gravity
and
thoughtfulness
returned
on
him
in
their
fullest
extent
—
and
he
sat
for
some
time
silent
and
dull
.
Elinor
saw
,
with
great
uneasiness
the
low
spirits
of
her
friend
.
His
visit
afforded
her
but
a
very
partial
satisfaction
,
while
his
own
enjoyment
in
it
appeared
so
imperfect
.
It
was
evident
that
he
was
unhappy
;
she
wished
it
were
equally
evident
that
he
still
distinguished
her
by
the
same
affection
which
once
she
had
felt
no
doubt
of
inspiring
;
but
hitherto
the
continuance
of
his
preference
seemed
very
uncertain
;
and
the
reservedness
of
his
manner
towards
her
contradicted
one
moment
what
a
more
animated
look
had
intimated
the
preceding
one
.
He
joined
her
and
Marianne
in
the
breakfast
-
room
the
next
morning
before
the
others
were
down
;
and
Marianne
,
who
was
always
eager
to
promote
their
happiness
as
far
as
she
could
,
soon
left
them
to
themselves
.
But
before
she
was
half
way
upstairs
she
heard
the
parlour
door
open
,
and
,
turning
round
,
was
astonished
to
see
Edward
himself
come
out
.
"
I
am
going
into
the
village
to
see
my
horses
,
"
said
he
,
"
as
you
are
not
yet
ready
for
breakfast
;
I
shall
be
back
again
presently
.
"
Edward
returned
to
them
with
fresh
admiration
of
the
surrounding
country
;
in
his
walk
to
the
village
,
he
had
seen
many
parts
of
the
valley
to
advantage
;
and
the
village
itself
,
in
a
much
higher
situation
than
the
cottage
,
afforded
a
general
view
of
the
whole
,
which
had
exceedingly
pleased
him
.
This
was
a
subject
which
ensured
Marianne
’
s
attention
,
and
she
was
beginning
to
describe
her
own
admiration
of
these
scenes
,
and
to
question
him
more
minutely
on
the
objects
that
had
particularly
struck
him
,
when
Edward
interrupted
her
by
saying
,
"
You
must
not
enquire
too
far
,
Marianne
—
remember
I
have
no
knowledge
in
the
picturesque
,
and
I
shall
offend
you
by
my
ignorance
and
want
of
taste
if
we
come
to
particulars
.
I
shall
call
hills
steep
,
which
ought
to
be
bold
;
surfaces
strange
and
uncouth
,
which
ought
to
be
irregular
and
rugged
;
and
distant
objects
out
of
sight
,
which
ought
only
to
be
indistinct
through
the
soft
medium
of
a
hazy
atmosphere
.
You
must
be
satisfied
with
such
admiration
as
I
can
honestly
give
.
I
call
it
a
very
fine
country
—
the
hills
are
steep
,
the
woods
seem
full
of
fine
timber
,
and
the
valley
looks
comfortable
and
snug
—
with
rich
meadows
and
several
neat
farm
houses
scattered
here
and
there
.
It
exactly
answers
my
idea
of
a
fine
country
,
because
it
unites
beauty
with
utility
—
and
I
dare
say
it
is
a
picturesque
one
too
,
because
you
admire
it
;
I
can
easily
believe
it
to
be
full
of
rocks
and
promontories
,
grey
moss
and
brush
wood
,
but
these
are
all
lost
on
me
.
I
know
nothing
of
the
picturesque
.
"
"
I
am
afraid
it
is
but
too
true
,
"
said
Marianne
;
"
but
why
should
you
boast
of
it
?
"
