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- Джеймс Джойс
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- Стр. 781/821
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A
sofa
upholstered
in
prune
plush
had
been
translocated
from
opposite
the
door
to
the
ingleside
near
the
compactly
furled
Union
Jack
(
an
alteration
which
he
had
frequently
intended
to
execute
)
:
the
blue
and
white
checker
inlaid
majolicatopped
table
had
been
placed
opposite
the
door
in
the
place
vacated
by
the
prune
plush
sofa
:
the
walnut
sideboard
(
a
projecting
angle
of
which
had
momentarily
arrested
his
ingress
)
had
been
moved
from
its
position
beside
the
door
to
a
more
advantageous
but
more
perilous
position
in
front
of
the
door
:
two
chairs
had
been
moved
from
right
and
left
of
the
ingleside
to
the
position
originally
occupied
by
the
blue
and
white
checker
inlaid
majolicatopped
table
.
Describe
them
.
One
:
a
squat
stuffed
easychair
,
with
stout
arms
extended
and
back
slanted
to
the
rere
,
which
,
repelled
in
recoil
,
had
then
upturned
an
irregular
fringe
of
a
rectangular
rug
and
now
displayed
on
its
amply
upholstered
seat
a
centralised
diffusing
and
diminishing
discolouration
.
The
other
:
a
slender
splayfoot
chair
of
glossy
cane
curves
,
placed
directly
opposite
the
former
,
its
frame
from
top
to
seat
and
from
seat
to
base
being
varnished
dark
brown
,
its
seat
being
a
bright
circle
of
white
plaited
rush
.
What
significances
attached
to
these
two
chairs
?
Significances
of
similitude
,
of
posture
,
of
symbolism
,
of
circumstantial
evidence
,
of
testimonial
supermanence
.
What
occupied
the
position
originally
occupied
by
the
sideboard
?
A
vertical
piano
(
Cadby
)
with
exposed
keyboard
,
its
closed
coffin
supporting
a
pair
of
long
yellow
ladies
’
gloves
and
an
emerald
ashtray
containing
four
consumed
matches
,
a
partly
consumed
cigarette
and
two
discoloured
ends
of
cigarettes
,
its
musicrest
supporting
the
music
in
the
key
of
G
natural
for
voice
and
piano
of
Love
’
s
Old
Sweet
Song
(
words
by
G
.
Clifton
Bingham
,
composed
by
J
.
L
.
Molloy
,
sung
by
Madam
Antoinette
Sterling
)
open
at
the
last
page
with
the
final
indications
ad
libitum
,
forte
,
pedal
,
animato
,
sustained
pedal
,
ritirando
,
close
.
With
what
sensations
did
Bloom
contemplate
in
rotation
these
objects
?
With
strain
,
elevating
a
candlestick
:
with
pain
,
feeling
on
his
right
temple
a
contused
tumescence
:
with
attention
,
focussing
his
gaze
on
a
large
dull
passive
and
a
slender
bright
active
:
with
solicitation
,
bending
and
downturning
the
upturned
rugfringe
:
with
amusement
,
remembering
Dr
Malachi
Mulligan
’
s
scheme
of
colour
containing
the
gradation
of
green
:
with
pleasure
,
repeating
the
words
and
antecedent
act
and
perceiving
through
various
channels
of
internal
sensibility
the
consequent
and
concomitant
tepid
pleasant
diffusion
of
gradual
discolouration
.
His
next
proceeding
?
