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- Джеймс Джойс
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- Улисс
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- Стр. 775/821
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The
minor
was
proved
by
the
major
.
Which
various
features
of
the
constellations
were
in
turn
considered
?
The
various
colours
significant
of
various
degrees
of
vitality
(
white
,
yellow
,
crimson
,
vermilion
,
cinnabar
)
:
their
degrees
of
brilliancy
:
their
magnitudes
revealed
up
to
and
including
the
7th
:
their
positions
:
the
waggoner
’
s
star
:
Walsingham
way
:
the
chariot
of
David
:
the
annular
cinctures
of
Saturn
:
the
condensation
of
spiral
nebulae
into
suns
:
the
interdependent
gyrations
of
double
suns
:
the
independent
synchronous
discoveries
of
Galileo
,
Simon
Marius
,
Piazzi
,
Le
Verrier
,
Herschel
,
Galle
:
the
systematisations
attempted
by
Bode
and
Kepler
of
cubes
of
distances
and
squares
of
times
of
revolution
:
the
almost
infinite
compressibility
of
hirsute
comets
and
their
vast
elliptical
egressive
and
reentrant
orbits
from
perihelion
to
aphelion
:
the
sidereal
origin
of
meteoric
stones
:
the
Libyan
floods
on
Mars
about
the
period
of
the
birth
of
the
younger
astroscopist
:
the
annual
recurrence
of
meteoric
showers
about
the
period
of
the
feast
of
S
.
Lawrence
(
martyr
,
10
August
)
:
the
monthly
recurrence
known
as
the
new
moon
with
the
old
moon
in
her
arms
:
the
posited
influence
of
celestial
on
human
bodies
:
the
appearance
of
a
star
(
1st
magnitude
)
of
exceeding
brilliancy
dominating
by
night
and
day
(
a
new
luminous
sun
generated
by
the
collision
and
amalgamation
in
incandescence
of
two
nonluminous
exsuns
)
about
the
period
of
the
birth
of
William
Shakespeare
over
delta
in
the
recumbent
neversetting
constellation
of
Cassiopeia
and
of
a
star
(
2nd
magnitude
)
of
similar
origin
but
of
lesser
brilliancy
which
had
appeared
in
and
disappeared
from
the
constellation
of
the
Corona
Septentrionalis
about
the
period
of
the
birth
of
Leopold
Bloom
and
of
other
stars
of
(
presumably
)
similar
origin
which
had
(
effectively
or
presumably
)
appeared
in
and
disappeared
from
the
constellation
of
Andromeda
about
the
period
of
the
birth
of
Stephen
Dedalus
,
and
in
and
from
the
constellation
of
Auriga
some
years
after
the
birth
and
death
of
Rudolph
Bloom
,
junior
,
and
in
and
from
other
constellations
some
years
before
or
after
the
birth
or
death
of
other
persons
:
the
attendant
phenomena
of
eclipses
,
solar
and
lunar
,
from
immersion
to
emersion
,
abatement
of
wind
,
transit
of
shadow
,
taciturnity
of
winged
creatures
,
emergence
of
nocturnal
or
crepuscular
animals
,
persistence
of
infernal
light
,
obscurity
of
terrestrial
waters
,
pallor
of
human
beings
.
His
(
Bloom
’
s
)
logical
conclusion
,
having
weighed
the
matter
and
allowing
for
possible
error
?
That
it
was
not
a
heaventree
,
not
a
heavengrot
,
not
a
heavenbeast
,
not
a
heavenman
.
That
it
was
a
Utopia
,
there
being
no
known
method
from
the
known
to
the
unknown
:
an
infinity
renderable
equally
finite
by
the
suppositious
apposition
of
one
or
more
bodies
equally
of
the
same
and
of
different
magnitudes
:
a
mobility
of
illusory
forms
immobilised
in
space
,
remobilised
in
air
:
a
past
which
possibly
had
ceased
to
exist
as
a
present
before
its
probable
spectators
had
entered
actual
present
existence
.
Was
he
more
convinced
of
the
esthetic
value
of
the
spectacle
?
Indubitably
in
consequence
of
the
reiterated
examples
of
poets
in
the
delirium
of
the
frenzy
of
attachment
or
in
the
abasement
of
rejection
invoking
ardent
sympathetic
constellations
or
the
frigidity
of
the
satellite
of
their
planet
.
Did
he
then
accept
as
an
article
of
belief
the
theory
of
astrological
influences
upon
sublunary
disasters
?
