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- Джеймс Джойс
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- Стр. 302/821
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We
should
not
now
combine
a
Norse
saga
with
an
excerpt
from
a
novel
by
George
Meredith
.
Que
voulez
-
vous
?
Moore
would
say
.
He
puts
Bohemia
on
the
seacoast
and
makes
Ulysses
quote
Aristotle
.
—
Why
?
Stephen
answered
himself
.
Because
the
theme
of
the
false
or
the
usurping
or
the
adulterous
brother
or
all
three
in
one
is
to
Shakespeare
,
what
the
poor
are
not
,
always
with
him
.
The
note
of
banishment
,
banishment
from
the
heart
,
banishment
from
home
,
sounds
uninterruptedly
from
The
Two
Gentlemen
of
Verona
onward
till
Prospero
breaks
his
staff
,
buries
it
certain
fathoms
in
the
earth
and
drowns
his
book
.
It
doubles
itself
in
the
middle
of
his
life
,
reflects
itself
in
another
,
repeats
itself
,
protasis
,
epitasis
,
catastasis
,
catastrophe
.
It
repeats
itself
again
when
he
is
near
the
grave
,
when
his
married
daughter
Susan
,
chip
of
the
old
block
,
is
accused
of
adultery
.
But
it
was
the
original
sin
that
darkened
his
understanding
,
weakened
his
will
and
left
in
him
a
strong
inclination
to
evil
.
The
words
are
those
of
my
lords
bishops
of
Maynooth
.
An
original
sin
and
,
like
original
sin
,
committed
by
another
in
whose
sin
he
too
has
sinned
.
It
is
between
the
lines
of
his
last
written
words
,
it
is
petrified
on
his
tombstone
under
which
her
four
bones
are
not
to
be
laid
.
Age
has
not
withered
it
.
Beauty
and
peace
have
not
done
it
away
.
It
is
in
infinite
variety
everywhere
in
the
world
he
has
created
,
in
Much
Ado
about
Nothing
,
twice
in
As
you
like
It
,
in
The
Tempest
,
in
Hamlet
,
in
Measure
for
Measure
—
and
in
all
the
other
plays
which
I
have
not
read
.
He
laughed
to
free
his
mind
from
his
mind
’
s
bondage
.
Judge
Eglinton
summed
up
.
—
The
truth
is
midway
,
he
affirmed
.
He
is
the
ghost
and
the
prince
.
He
is
all
in
all
.
—
He
is
,
Stephen
said
.
The
boy
of
act
one
is
the
mature
man
of
act
five
.
All
in
all
.
In
Cymbeline
,
in
Othello
he
is
bawd
and
cuckold
.
He
acts
and
is
acted
on
.
Lover
of
an
ideal
or
a
perversion
,
like
José
he
kills
the
real
Carmen
.
His
unremitting
intellect
is
the
hornmad
Iago
ceaselessly
willing
that
the
moor
in
him
shall
suffer
.
—
Cuckoo
!
Cuckoo
!
Cuck
Mulligan
clucked
lewdly
.
O
word
of
fear
!
Dark
dome
received
,
reverbed
.
—
And
what
a
character
is
Iago
!
undaunted
John
Eglinton
exclaimed
.
When
all
is
said
Dumas
fils
(
or
is
it
Dumas
père
?
)
is
right
.
After
God
Shakespeare
has
created
most
.
—
Man
delights
him
not
nor
woman
neither
,
Stephen
said
.
He
returns
after
a
life
of
absence
to
that
spot
of
earth
where
he
was
born
,
where
he
has
always
been
,
man
and
boy
,
a
silent
witness
and
there
,
his
journey
of
life
ended
,
he
plants
his
mulberrytree
in
the
earth
.
Then
dies
.
The
motion
is
ended
.
Gravediggers
bury
Hamlet
père
and
Hamlet
fils
.
A
king
and
a
prince
at
last
in
death
,
with
incidental
music
.
And
,
what
though
murdered
and
betrayed
,
bewept
by
all
frail
tender
hearts
for
,
Dane
or
Dubliner
,
sorrow
for
the
dead
is
the
only
husband
from
whom
they
refuse
to
be
divorced
.
If
you
like
the
epilogue
look
long
on
it
:
prosperous
Prospero
,
the
good
man
rewarded
,
Lizzie
,
grandpa
’
s
lump
of
love
,
and
nuncle
Richie
,
the
bad
man
taken
off
by
poetic
justice
to
the
place
where
the
bad
niggers
go
.
Strong
curtain
.
He
found
in
the
world
without
as
actual
what
was
in
his
world
within
as
possible
.