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- Авторы
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- Джеймс Джойс
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- Портрет художника в юности
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- Стр. 189/241
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Stephen
pointed
to
a
basket
which
a
butcher
's
boy
had
slung
inverted
on
his
head
.
--
Look
at
that
basket
,
he
said
.
--
I
see
it
,
said
Lynch
.
--
In
order
to
see
that
basket
,
said
Stephen
,
your
mind
first
of
all
separates
the
basket
from
the
rest
of
the
visible
universe
which
is
not
the
basket
.
The
first
phase
of
apprehension
is
a
bounding
line
drawn
about
the
object
to
be
apprehended
.
An
esthetic
image
is
presented
to
us
either
in
space
or
in
time
.
What
is
audible
is
presented
in
time
,
what
is
visible
is
presented
in
space
.
But
,
temporal
or
spatial
,
the
esthetic
image
is
first
luminously
apprehended
as
selfbounded
and
selfcontained
upon
the
immeasurable
background
of
space
or
time
which
is
not
it
.
You
apprehended
it
as
ONE
thing
.
You
see
it
as
one
whole
.
You
apprehend
its
wholeness
.
That
is
INTEGRITAS
.
--
Bull
's
eye
!
said
Lynch
,
laughing
.
Go
on
.
--
Then
,
said
Stephen
,
you
pass
from
point
to
point
,
led
by
its
formal
lines
;
you
apprehend
it
as
balanced
part
against
part
within
its
limits
;
you
feel
the
rhythm
of
its
structure
.
In
other
words
,
the
synthesis
of
immediate
perception
is
followed
by
the
analysis
of
apprehension
.
Having
first
felt
that
it
is
ONE
thing
you
feel
now
that
it
is
a
THING
.
You
apprehend
it
as
complex
,
multiple
,
divisible
,
separable
,
made
up
of
its
parts
,
the
result
of
its
parts
and
their
sum
,
harmonious
.
That
is
CONSONANTIA
.
--
Bull
's
eye
again
!
said
Lynch
wittily
.
Tell
me
now
what
is
CLARITAS
and
you
win
the
cigar
.
--
The
connotation
of
the
word
,
Stephen
said
,
is
rather
vague
.
Aquinas
uses
a
term
which
seems
to
be
inexact
.
It
baffled
me
for
a
long
time
.
It
would
lead
you
to
believe
that
he
had
in
mind
symbolism
or
idealism
,
the
supreme
quality
of
beauty
being
a
light
from
some
other
world
,
the
idea
of
which
the
matter
is
but
the
shadow
,
the
reality
of
which
it
is
but
the
symbol
.
I
thought
he
might
mean
that
CLARITAS
is
the
artistic
discovery
and
representation
of
the
divine
purpose
in
anything
or
a
force
of
generalization
which
would
make
the
esthetic
image
a
'
universal
one
,
make
it
outshine
its
proper
conditions
.
But
that
is
literary
talk
.
I
understand
it
so
.
When
you
have
apprehended
that
basket
as
one
thing
and
have
then
analysed
it
according
to
its
form
and
apprehended
it
as
a
thing
you
make
the
only
synthesis
which
is
logically
and
esthetically
permissible
.
You
see
that
it
is
that
thing
which
it
is
and
no
other
thing
.
The
radiance
of
which
he
speaks
in
the
scholastic
QUIDDITAS
,
the
WHATNESS
of
a
thing
.
This
supreme
quality
is
felt
by
the
artist
when
the
esthetic
image
is
first
conceived
in
his
imagination
.
