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«
Of
course
.
The
Divine
Proportion
.
»
Her
expression
turned
sheepish
.
«
In
fact
,
he
used
to
joke
that
I
was
half
divine
…
you
know
,
because
of
the
letters
in
my
name
.
»
Langdon
considered
it
a
moment
and
then
groaned
.
s
-
o
-
PHI
-
e
.
Still
descending
,
Langdon
refocused
on
PHI
.
He
was
starting
to
realize
that
Saunière
’
s
clues
were
even
more
consistent
than
he
had
first
imagined
.
Da
Vinci
…
Fibonacci
numbers
…
the
pentacle
.
Incredibly
,
all
of
these
things
were
connected
by
a
single
concept
so
fundamental
to
art
history
that
Langdon
often
spent
several
class
periods
on
the
topic
.
PHI
.
He
felt
himself
suddenly
reeling
back
to
Harvard
,
standing
in
front
of
his
»
Symbolism
in
Art
»
class
,
writing
his
favorite
number
on
the
chalkboard
.
1
.
618
Langdon
turned
to
face
his
sea
of
eager
students
.
«
Who
can
tell
me
what
this
number
is
?
»
A
long
-
legged
math
major
in
back
raised
his
hand
.
«
That
’
s
the
number
PHI
.
»
He
pronounced
it
fee
.
