-
Главная
-
- Книги
-
- Авторы
-
- Дэн Браун
-
- Код да Винчи
-
- Стр. 416/436
Для того чтобы воспользоваться озвучкой предложений, необходимо
Войти или зарегистрироваться
Озвучка предложений доступна при наличии PRO-доступа
Купить PRO-доступ
Making
their
way
up
the
long
gravel
path
,
Langdon
and
Sophie
passed
the
famous
west
wall
of
the
chapel
.
Casual
visitors
assumed
this
oddly
protruding
wall
was
a
section
of
the
chapel
that
had
not
been
finished
.
The
truth
,
Langdon
recalled
,
was
far
more
intriguing
.
The
west
wall
of
Solomon
’
s
Temple
.
The
Knights
Templar
had
designed
Rosslyn
Chapel
as
an
exact
architectural
blueprint
of
Solomon
’
s
Temple
in
Jerusalem
–
complete
with
a
west
wall
,
a
narrow
rectangular
sanctuary
,
and
a
subterranean
vault
like
the
Holy
of
Holies
,
in
which
the
original
nine
knights
had
first
unearthed
their
priceless
treasure
.
Langdon
had
to
admit
,
there
existed
an
intriguing
symmetry
in
the
idea
of
the
Templars
building
a
modern
Grail
repository
that
echoed
the
Grail
’
s
original
hiding
place
.
Rosslyn
Chapel
’
s
entrance
was
more
modest
than
Langdon
expected
.
The
small
wooden
door
had
two
iron
hinges
and
a
simple
,
oak
sign
.
ROSLIN
This
ancient
spelling
,
Langdon
explained
to
Sophie
,
derived
from
the
Rose
Line
meridian
on
which
the
chapel
sat
;
or
,
as
Grail
academics
preferred
to
believe
,
from
the
»
Line
of
Rose
»
–
the
ancestral
lineage
of
Mary
Magdalene
.
The
chapel
would
be
closing
soon
,
and
as
Langdon
pulled
open
the
door
,
a
warm
puff
of
air
escaped
,
as
if
the
ancient
edifice
were
heaving
a
weary
sigh
at
the
end
of
a
long
day
.
Her
entry
arches
burgeoned
with
carved
cinquefoils
.
Roses
.
The
womb
of
the
goddess
.
Entering
with
Sophie
,
Langdon
felt
his
eyes
reaching
across
the
famous
sanctuary
and
taking
it
all
in
.
Although
he
had
read
accounts
of
Rosslyn
’
s
arrestingly
intricate
stonework
,
seeing
it
in
person
was
an
overwhelming
encounter
.
Symbology
heaven
,
one
of
Langdon
’
s
colleagues
had
called
it
.
