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"
The
warning
must
have
been
a
terribly
potent
one
at
the
time
it
was
written
and
for
thousands
of
years
afterwards
;
even
when
the
language
in
which
it
was
given
had
become
a
dead
mystery
to
the
people
of
the
land
.
The
tradition
of
such
a
terror
lasts
longer
than
its
cause
.
Even
in
the
symbols
used
there
was
an
added
significance
of
alliteration
.
'
For
ever
'
is
given
in
the
hieroglyphics
as
'm
illions
of
years
'
.
This
symbol
was
repeated
nine
times
,
in
three
groups
of
three
;
and
after
each
group
a
symbol
of
the
Upper
World
,
the
Under
World
,
and
the
Sky
.
So
that
for
this
Lonely
One
there
could
be
,
through
the
vengeance
of
all
the
Gods
,
resurrection
in
neither
the
World
of
Sunlight
,
in
the
World
of
the
Dead
,
or
for
the
soul
in
the
region
of
the
Gods
.
"
Neither
Mr.
Trelawny
nor
I
dared
to
tell
any
of
our
people
what
the
writing
meant
.
For
though
they
did
not
believe
in
the
religion
whence
the
curse
came
,
or
in
the
Gods
whose
vengeance
was
threatened
,
yet
they
were
so
superstitious
that
they
would
probably
,
had
they
known
of
it
,
have
thrown
up
the
whole
task
and
run
away
.
"
Their
ignorance
,
however
,
and
our
discretion
preserved
us
.
We
made
an
encampment
close
at
hand
,
but
behind
a
jutting
rock
a
little
further
along
the
valley
,
so
that
they
might
not
have
the
inscription
always
before
them
.
For
even
that
traditional
name
of
the
place
:
'
The
Valley
of
the
Sorcerer
'
,
had
a
fear
for
them
;
and
for
us
through
them
.
With
the
timber
which
we
had
brought
,
we
made
a
ladder
up
the
face
of
the
rock
.
We
hung
a
pulley
on
a
beam
fixed
to
project
from
the
top
of
the
cliff
.
We
found
the
great
slab
of
rock
,
which
formed
the
door
,
placed
clumsily
in
its
place
and
secured
by
a
few
stones
.
Its
own
weight
kept
it
in
safe
position
.
In
order
to
enter
,
we
had
to
push
it
in
;
and
we
passed
over
it
.
We
found
the
great
coil
of
chain
which
Van
Huyn
had
described
fastened
into
the
rock
.
There
were
,
however
,
abundant
evidences
amid
the
wreckage
of
the
great
stone
door
,
which
had
revolved
on
iron
hinges
at
top
and
bottom
,
that
ample
provision
had
been
originally
made
for
closing
and
fastening
it
from
within
.
"
Mr.
Trelawny
and
I
went
alone
into
the
tomb
.
We
had
brought
plenty
of
lights
with
us
;
and
we
fixed
them
as
we
went
along
.
We
wished
to
get
a
complete
survey
at
first
,
and
then
make
examination
of
all
in
detail
.
As
we
went
on
,
we
were
filled
with
ever-increasing
wonder
and
delight
.
The
tomb
was
one
of
the
most
magnificent
and
beautiful
which
either
of
us
had
ever
seen
.
From
the
elaborate
nature
of
the
sculpture
and
painting
,
and
the
perfection
of
the
workmanship
,
it
was
evident
that
the
tomb
was
prepared
during
the
lifetime
of
her
for
whose
resting-place
it
was
intended
.
The
drawing
of
the
hieroglyphic
pictures
was
fine
,
and
the
colouring
superb
;
and
in
that
high
cavern
,
far
away
from
even
the
damp
of
the
Nile-flood
,
all
was
as
fresh
as
when
the
artists
had
laid
down
their
palettes
.
There
was
one
thing
which
we
could
not
avoid
seeing
.
That
although
the
cutting
on
the
outside
rock
was
the
work
of
the
priesthood
,
the
smoothing
of
the
cliff
face
was
probably
a
part
of
the
tomb-builder
's
original
design
.
The
symbolism
of
the
painting
and
cutting
within
all
gave
the
same
idea
.
The
outer
cavern
,
partly
natural
and
partly
hewn
,
was
regarded
architecturally
as
only
an
ante-chamber
.
At
the
end
of
it
,
so
that
it
would
face
the
east
,
was
a
pillared
portico
,
hewn
out
of
the
solid
rock
.
The
pillars
were
massive
and
were
seven-sided
,
a
thing
which
we
had
not
come
across
in
any
other
tomb
.
Sculptured
on
the
architrave
was
the
Boat
of
the
Moon
,
containing
Hathor
,
cow-headed
and
bearing
the
disk
and
plumes
,
and
the
dog-headed
Hapi
,
the
God
of
the
North
.
It
was
steered
by
Harpocrates
towards
the
north
,
represented
by
the
Pole
Star
surrounded
by
Draco
and
Ursa
Major
.
In
the
latter
the
stars
that
form
what
we
call
the
'
Plough
'
were
cut
larger
than
any
of
the
other
stars
;
and
were
filled
with
gold
so
that
,
in
the
light
of
torches
,
they
seemed
to
flame
with
a
special
significance
.
Passing
within
the
portico
,
we
found
two
of
the
architectural
features
of
a
rock
tomb
,
the
Chamber
,
or
Chapel
,
and
the
Pit
,
all
complete
as
Van
Huyn
had
noticed
,
though
in
his
day
the
names
given
to
these
parts
by
the
Egyptians
of
old
were
unknown
.
"
The
Stele
,
or
record
,
which
had
its
place
low
down
on
the
western
wall
,
was
so
remarkable
that
we
examined
it
minutely
,
even
before
going
on
our
way
to
find
the
mummy
which
was
the
object
of
our
search
.
This
Stele
was
a
great
slab
of
lapis
lazuli
,
cut
all
over
with
hieroglyphic
figures
of
small
size
and
of
much
beauty
.
The
cutting
was
filled
in
with
some
cement
of
exceeding
fineness
,
and
of
the
colour
of
pure
vermilion
.
The
inscription
began
:
"
'
Tera
,
Queen
of
the
Egypts
,
daughter
of
Antef
,
Monarch
of
the
North
and
the
South
.
'
'D
aughter
of
the
Sun
,
'
'
Queen
of
the
Diadems
'
.
"
It
then
set
out
,
in
full
record
,
the
history
of
her
life
and
reign
.
