-
Главная
-
- Книги
-
- Авторы
-
- Александр Дюма
-
- Граф Монте-Кристо
-
- Стр. 385/1279
Для того чтобы воспользоваться озвучкой предложений, необходимо
Войти или зарегистрироваться
Озвучка предложений доступна при наличии PRO-доступа
Купить PRO-доступ
"
How
attentively
he
looked
at
you
.
"
"
At
me
?
"
"
Yes
.
"
--
Albert
reflected
.
"
Ah
,
"
replied
he
,
sighing
,
"
that
is
not
very
surprising
;
I
have
been
more
than
a
year
absent
from
Paris
,
and
my
clothes
are
of
a
most
antiquated
cut
;
the
count
takes
me
for
a
provincial
.
The
first
opportunity
you
have
,
undeceive
him
,
I
beg
,
and
tell
him
I
am
nothing
of
the
kind
.
"
Franz
smiled
;
an
instant
after
the
count
entered
.
"
I
am
now
quite
at
your
service
,
gentlemen
,
"
said
he
.
"
The
carriage
is
going
one
way
to
the
Piazza
del
Popolo
,
and
we
will
go
another
;
and
,
if
you
please
,
by
the
Corso
.
Take
some
more
of
these
cigars
,
M.
de
Morcerf
.
"
"
With
all
my
heart
,
"
returned
Albert
;
"
Italian
cigars
are
horrible
.
When
you
come
to
Paris
,
I
will
return
all
this
.
"
"
I
will
not
refuse
;
I
intend
going
there
soon
,
and
since
you
allow
me
,
I
will
pay
you
a
visit
.
Come
,
we
have
not
any
time
to
lose
,
it
is
half-past
twelve
--
let
us
set
off
.
"
All
three
descended
;
the
coachman
received
his
master
's
orders
,
and
drove
down
the
Via
del
Babuino
.
While
the
three
gentlemen
walked
along
the
Piazza
de
Spagni
and
the
Via
Frattina
,
which
led
directly
between
the
Fiano
and
Rospoli
palaces
,
Franz
's
attention
was
directed
towards
the
windows
of
that
last
palace
,
for
he
had
not
forgotten
the
signal
agreed
upon
between
the
man
in
the
mantle
and
the
Transtevere
peasant
.
"
Which
are
your
windows
?
"
asked
he
of
the
count
,
with
as
much
indifference
as
he
could
assume
.
"
The
three
last
,
"
returned
he
,
with
a
negligence
evidently
unaffected
,
for
he
could
not
imagine
with
what
intention
the
question
was
put
.
Franz
glanced
rapidly
towards
the
three
windows
.
The
side
windows
were
hung
with
yellow
damask
,
and
the
centre
one
with
white
damask
and
a
red
cross
.
The
man
in
the
mantle
had
kept
his
promise
to
the
Transteverin
,
and
there
could
now
be
no
doubt
that
he
was
the
count
.
The
three
windows
were
still
untenanted
.
Preparations
were
making
on
every
side
;
chairs
were
placed
,
scaffolds
were
raised
,
and
windows
were
hung
with
flags
.
The
masks
could
not
appear
;
the
carriages
could
not
move
about
;
but
the
masks
were
visible
behind
the
windows
,
the
carriages
,
and
the
doors
.
Franz
,
Albert
,
and
the
count
continued
to
descend
the
Corso
.
As
they
approached
the
Piazza
del
Popolo
,
the
crowd
became
more
dense
,
and
above
the
heads
of
the
multitude
two
objects
were
visible
:
the
obelisk
,
surmounted
by
a
cross
,
which
marks
the
centre
of
the
square
,
and
in
front
of
the
obelisk
,
at
the
point
where
the
three
streets
,
del
Babuino
,
del
Corso
,
and
di
Ripetta
,
meet
,
the
two
uprights
of
the
scaffold
,
between
which
glittered
the
curved
knife
of
the
mandaia
.
At
the
corner
of
the
street
they
met
the
count
's
steward
,
who
was
awaiting
his
master
.
The
window
,
let
at
an
exorbitant
price
,
which
the
count
had
doubtless
wished
to
conceal
from
his
guests
,
was
on
the
second
floor
of
the
great
palace
,
situated
between
the
Via
del
Babuino
and
the
Monte
Pincio
.
It
consisted
,
as
we
have
said
,
of
a
small
dressing-room
,
opening
into
a
bedroom
,
and
,
when
the
door
of
communication
was
shut
,
the
inmates
were
quite
alone
.
On
chairs
were
laid
elegant
masquerade
costumes
of
blue
and
white
satin
.
"
As
you
left
the
choice
of
your
costumes
to
me
,
"
said
the
count
to
the
two
friends
,
"
I
have
had
these
brought
,
as
they
will
be
the
most
worn
this
year
;
and
they
are
most
suitable
,
on
account
of
the
confetti
(
sweetmeats
)
,
as
they
do
not
show
the
flour
.
"
Franz
heard
the
words
of
the
count
but
imperfectly
,
and
he
perhaps
did
not
fully
appreciate
this
new
attention
to
their
wishes
;
for
he
was
wholly
absorbed
by
the
spectacle
that
the
Piazza
del
Popolo
presented
,
and
by
the
terrible
instrument
that
was
in
the
centre
.
It
was
the
first
time
Franz
had
ever
seen
a
guillotine
--
we
say
guillotine
,
because
the
Roman
mandaia
is
formed
on
almost
the
same
model
as
the
French
instrument
.
7
The
knife
,
which
is
shaped
like
a
crescent
,
that
cuts
with
the
convex
side
,
falls
from
a
less
height
,
and
that
is
all
the
difference
.
Two
men
,
seated
on
the
movable
plank
on
which
the
victim
is
laid
,
were
eating
their
breakfasts
,
while
waiting
for
the
criminal
.
Their
repast
consisted
apparently
of
bread
and
sausages
.
One
of
them
lifted
the
plank
,
took
out
a
flask
of
wine
,
drank
some
,
and
then
passed
it
to
his
companion
.
These
two
men
were
the
executioner
's
assistants
.
At
this
sight
Franz
felt
the
perspiration
start
forth
upon
his
brow
.
